<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-HG5TDI6E/1a42eccd-07fa-4f39-b141-4a87cfba94c1/PDF"><dcterms:extent>215 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-HG5TDI6E/10e8bc69-e4ab-4129-97b6-cccf6c93f135/TEXT"><dcterms:extent>30 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-HG5TDI6E/084b4e6d-4397-449f-b832-3d6a519ef8d2/PDF"><dcterms:extent>148 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-HG5TDI6E/f003c9cd-4d5b-4353-9b50-d4abe3ce4bb7/TEXT"><dcterms:extent>6 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="2015-2025"><edm:begin xml:lang="en">2015</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-HG5TDI6E"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE" /><dcterms:issued>2024</dcterms:issued><dc:creator>Pezdirc Bartol, Mateja</dc:creator><dc:format xml:lang="sl">številka:1</dc:format><dc:format xml:lang="sl">letnik:12</dc:format><dc:format xml:lang="sl">str. 112-128</dc:format><dc:identifier>DOI:10.51937/Amfiteater-2024-1/112-128</dc:identifier><dc:identifier>ISSN:1855-4539</dc:identifier><dc:identifier>COBISSID_HOST:200385539</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-HG5TDI6E</dc:identifier><dc:language>sl</dc:language><dc:publisher xml:lang="sl">= University of Ljubljana Press</dc:publisher><dcterms:isPartOf xml:lang="sl">Amfiteater (Ljubljana)</dcterms:isPartOf><dc:subject xml:lang="en">body</dc:subject><dc:subject xml:lang="en">comedy</dc:subject><dc:subject xml:lang="en">construction of social and gender roles</dc:subject><dc:subject xml:lang="en">contemporary Slovenian drama</dc:subject><dc:subject xml:lang="sl">Dušan Jovanović</dc:subject><dc:subject xml:lang="sl">komedija</dc:subject><dc:subject xml:lang="sl">konstrukcija družbenih in spolnih vlog</dc:subject><dc:subject xml:lang="sl">ljubezen</dc:subject><dc:subject xml:lang="en">love</dc:subject><dc:subject xml:lang="sl">Simona Semenič</dc:subject><dc:subject xml:lang="sl">sodobna slovenska dramatika</dc:subject><dc:subject xml:lang="sl">telo</dc:subject><dc:subject xml:lang="sl">Tone Partljič</dc:subject><dcterms:temporal rdf:resource="2015-2025" /><dc:title xml:lang="sl">Preseganje spolnih stereotipov v sodobni slovenski komediji (Ditka - Milena - Boris)|</dc:title><dc:description xml:lang="sl">Comedy has always paid much attention to the depiction of gender relations, love affairs and the happy ending that a wedding represents. In this paper, the author explores to what extent 21st-century Slovenian comedy tracks the changing roles of men and women in the family and society and diverges from traditional representations of the body and sexuality. The analysis covers Slovenian comedies that question social constructions of genders, roles and occupations, play with gender stereotypes or go beyond them in some of their aspects: Denis in Ditka by Tone Partljič; Boris, Milena, Radko by Dušan Jovanović; and jerebika, štrudelj, ples pa še kaj by Simona Semenič. In these comedies, gender relations form the central theme, and a female character plays the leading role</dc:description><dc:description xml:lang="sl">Komedija je že od svojih začetkov veliko pozornosti namenjala prikazovanju odnosov med spoloma, ljubezenskim zapletom ter srečnemu koncu, ki ga je predstavljala poroka. V prispevku raziskujem, v kolikšni meri slovenska komedija v 21. stoletju sledi spremenjeni vlogi moškega in ženske v družini in družbi ter se odmika od tradicionalnih reprezentacij telesa in spolnosti. V analizo sem vključila slovenske komedije, ki družbene konstrukcije spolov, vlog in poklicev postavljajo pod vprašaj, se s spolnimi stereotipi poigravajo oziroma jih v določenih vidikih že tudi presegajo, to so Denis in Ditka Toneta Partljiča, Boris, Milena, Radko Dušana Jovanovića ter jerebika, štrudelj, ples pa še kaj Simone Semenič. V izbranih komedijah so odnosi med spoloma osrednja tema, ženska dramska oseba pa ima glavno vlogo</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-HG5TDI6E"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-HG5TDI6E" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-HG5TDI6E/1a42eccd-07fa-4f39-b141-4a87cfba94c1/PDF" /><edm:rights rdf:resource="http://creativecommons.org/licenses/by-sa/4.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Slovenski gledališki inštitut (SLOGI)</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-HG5TDI6E/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-HG5TDI6E" /></ore:Aggregation></rdf:RDF>