{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-GWB5C6Q5/e074df43-b40b-47af-a36a-680209d92512/PDF","dcterms:extent":"278 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-GWB5C6Q5/5bb477f4-d219-4ed4-85ae-a621c27efd48/TEXT","dcterms:extent":"0 KB"}],"edm:TimeSpan":{"@rdf:about":"2015-2025","edm:begin":{"@xml:lang":"en","#text":"2015"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-GWB5C6Q5","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE"},{"@xml:lang":"sl","#text":"Amfiteater (Ljubljana)"}],"dcterms:issued":"2023","dc:creator":"Leben, Andrej","dc:format":[{"@xml:lang":"sl","#text":"letnik:11"},{"@xml:lang":"sl","#text":"številka:2"},{"@xml:lang":"sl","#text":"str. 36-52, 54-56"}],"dc:identifier":["DOI:10.51937/Amfiteater-2023-2/36-56","COBISSID_HOST:178066435","ISSN:1855-4539","URN:URN:NBN:SI:doc-GWB5C6Q5"],"dc:language":"sl","dc:publisher":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut"},"dc:subject":[{"@xml:lang":"en","#text":"Carinthian Slovenians"},{"@xml:lang":"sl","#text":"gledališke prakse"},{"@xml:lang":"sl","#text":"gledališke študije"},{"@xml:lang":"sl","#text":"gledališki akterji"},{"@xml:lang":"sl","#text":"koroški Slovenci"},{"@xml:lang":"en","#text":"multilingualism"},{"@xml:lang":"en","#text":"theatre actors"},{"@xml:lang":"en","#text":"theatre practices"},{"@xml:lang":"en","#text":"theatre studies"},{"@xml:lang":"sl","#text":"večjezičnost"}],"dcterms:temporal":{"@rdf:resource":"2015-2025"},"dc:title":{"@xml:lang":"sl","#text":"Sodobno slovensko, dvo- in večjezično gledališče v koroškem kontekstu|"},"dc:description":[{"@xml:lang":"sl","#text":"For many years, bilingual and multilingual practices have been one of the distinctive features of contemporary theatre work by the Slovenian minority in Carinthia. More recently, they can also be observed in the productions of other Carinthian theatres, both non-institutional and institutional, with which actors from minority backgrounds repeatedly collaborate. Some have (co-)founded new bilingual and multilingual theatre structures within or outside this environment. Others are working simultaneously to a greater or lesser extent in theatres in the wider German and Slovenian language area and elsewhere, including in the fields of directing, choreography, acting, set design and theatre music, as well as in television and film productions. Given that these phenomena have not yet been systematically explored in detail, the article outlines the contemporary Slovenian bilingual and multilingual theatre scene in Carinthia, its structures, activities and staging practices. Based on the current range of the manifold activities, it also addresses the question of how to conceptually encompass these diverse practices"},{"@xml:lang":"sl","#text":"Dvo- in večjezične prakse zaznamujejo gledališko delo slovenske manjšine na Koroškem že vrsto let, v novejšem času pa jih je opaziti tudi v produkcijah drugih koroških gledališč, tako neinstitucionalnih kot edinega institucionalnega, s katerimi akterji in akterke iz manjšinskega okolja vedno znova sodelujejo. Nekateri od njih so v sklopu manjšinskih struktur ali zunaj njih (so)ustanovili nove dvo- in večjezične gledališke skupine, drugi so v manjšem ali večjem obsegu dejavni tudi v gledališčih širšega nemškega in slovenskega jezikovnega prostora in še kje, med drugim na področjih režije, koreografije, igralstva, scenografije in gledališke glasbe ter v televizijskih in filmskih produkcijah. Ti pojavi še niso podrobneje raziskani, zato se prispevek osredinja na oris sodobne koroške slovenske, dvoin večjezične gledališke scene, njenih struktur, dejavnosti in uprizoritvenih praks, posveča pa se tudi vprašanju, kako te raznovrstne prakse pojmovno in konceptualno zaobjeti"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-GWB5C6Q5","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-GWB5C6Q5"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-GWB5C6Q5/e074df43-b40b-47af-a36a-680209d92512/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut (SLOGI)"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-GWB5C6Q5/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-GWB5C6Q5"}}}}