165 KB0 KB199120252020Ventura, Lauraštevilka:letn. 28str. 71-84ISSN:0353-9660DOI:10.4312/vh.28.1.71-84COBISSID_HOST:46551299URN:URN:NBN:SI:doc-GW0132WXesEditorial Científica de la Facultad de Filosofía y LetrasZnanstvena založba Filozofske fakulteteVerba hispanicaGrandes, AlmudenaPérez Galdós, Benitorealistic novelrealistični romanSpanish literaturešpanska književnostOtra oportunidad para Fortunata| la relectura de la heroína trágica galdosiana en La madre de Frankenstein|Almudena Grandes takes the Galdos' National Episodes as a model to create her own multi-novel saga, Episodes of an endless war. In Frankenstein 's Mother(2020), the last novel in this series which explores the Spanish postwar period, two particular techniques make Grandes, both a writer and a historian, Benito Pérez Galdós 's literary heiress. The first, a formal one, is her episodic and choruslike construction of the narration, where she gives a voice to anonymous characters in history and society; the second is her rereading of Fortunata and Jacinta, where she creates her heroine, María, as though as a mirror image of Galdos' FortunataAlmudena Grandes je uporabila Galdósov model romanesknega cikla Episodios nacionales in ustvarila lastno sago: Episodios de una guerra interminable. V La madre de Frankenstein (2020), zadnjem romanu iz serije, ki raziskuje čas po španski državljanski vojni, je mogoče opaziti dva postopka, ki pisateljico in zgodovinarko Almudeno Grandes napravita za dedinjo Benita Péreza Galdósa. Prvi, formalni, je epizodična in kolektivna struktura pripovedi, v kateri po-deljuje glas brezimnim osebam iz zgodovine in družbe, drugega pa predstavlja recepcija romana Fortunata y Jacinta, in sicer s pomočjo vezi s Fortunato, katere odsev ugledamo v junakinji MaríiTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUniverza v Ljubljani, Filozofska fakulteta