<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-GTEQV0ME</identifier><date>2025</date><creator>Toporišič, Tomaž</creator><relation>documents/doc/G/URN_NBN_SI_doc-GTEQV0ME_001.pdf</relation><relation>documents/doc/G/URN_NBN_SI_doc-GTEQV0ME_001.txt</relation><format format_type="issue">1</format><format format_type="volume">13</format><format format_type="type">article</format><format format_type="extent">str. 16-41</format><identifier identifier_type="DOI">10.51937/Amfiteater-2025-1/16-41</identifier><identifier identifier_type="ISSN">1855-4539</identifier><identifier identifier_type="COBISSID_HOST">240476931</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-GTEQV0ME</identifier><language>slv</language><publisher publisher_location="[Ljubljana]">= University of Ljubljana Press</publisher><source>Amfiteater (Ljubljana)</source><rights>BY-SA</rights><subject language_type_id="slv">East art map</subject><subject language_type_id="slv">Lado Kralj</subject><subject language_type_id="eng">liquid modernity</subject><subject language_type_id="slv">neoavantgarda</subject><subject language_type_id="eng">neo-avant-garde</subject><subject language_type_id="slv">Oliver Frljić</subject><subject language_type_id="slv">postavantgarda</subject><subject language_type_id="eng">post-avant-garde</subject><subject language_type_id="slv">tekoča moderna</subject><title>Kritične uprizoritvene prakse od neoavantgarde in postavantgarde do političnega postdramskega gledališča 21. stoletja</title></Record>