526 KB52 KB197820252015Shang, Biwuštevilka:1letnik:38str. 63-85, 234ISSN:0351-1189COBISSID:57824354URN:URN:NBN:SI:doc-GLTSOF2MenSlovensko društvo za primerjalno književnostPrimerjalna književnostethicsetikafilmhistoriografska naratologijaideologijaknjiževnost in zgodovinapokol v Nankinguzgodovinski spominMemory/postmemory, ethics and ideology| toward a historiographic narratology in film|Against the general background of transmedia narrative studies, this article intends to move towards a historiographic narratology in film (HNF hereafter). Specifically, it pursues five major goals. First, it calls for a historiographic narratology beyond literary narratives, and explains why HNF is needed. Second, it deals with the specific issues of memory/postmemory in HNF, that is the history as memorized either by those who experienced it in person or by their descendants. Third, it explores ethics in HNF, particularly the ethics of the represented and the ethics of the representing. Fourth, it tries to pin down the ideology embedded in HNF. Fifth, it outlines a set of directions for the future studies of HNFČlanek na podlagi splošnega ozadja čezmedijskih narativnih študij obravnava zgodovinopisno filmsko naratologijo (v nadaljevanju: ZFN). Pri tem sledi petim glavnim ciljem: 1. zagovarja potrebo po zgodovinopisni naratologiji, ki presega literarno pripoved, in pojasni, zakaj je ZFN sploh potrebna; 2. obravnava problematiko spomina/postspomina v ZFN, tj. zgodovino, kot se je spominjajo tisti, ki so jo osebno doživeli, ali njihovi potomci; 3. preučuje etiko v ZFN, še zlasti etiko predstavljenega in etiko predstavljanja; 4. poskuša določiti ideologijo, vpeto v ZFN; ter 5. v grobem predstavi prihodnje smeri preučevanja ZFNTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlovensko društvo za primerjalno književnost