<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-GKV4I3AG</identifier><date>2015</date><creator>Oberstar, Ciril</creator><relation>documents/doc/G/URN_NBN_SI_doc-GKV4I3AG_001.pdf</relation><relation>documents/doc/G/URN_NBN_SI_doc-GKV4I3AG_001.txt</relation><format format_type="type">article</format><format format_type="issue">letn. 52</format><format format_type="extent">str. 73-75</format><identifier identifier_type="ISSN">0013-3302</identifier><identifier identifier_type="COBISSID">297656576</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-GKV4I3AG</identifier><language>slv</language><publisher publisher_location="Ljubljana">Slovenska kinoteka</publisher><source>Ekran (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">Comolli, Jean-Louis: Film proti spektaklu</subject><subject language_type_id="slv">Comolli, Jean-Louis: Film proti spektaklu &amp; Tehnika in ideologija</subject><subject language_type_id="slv">ocene in poročila</subject><title>Ideološki aparat filma</title></Record>