<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-GJSY6H36</identifier><date>2016</date><creator>Lane-McKinley, Madeline</creator><relation>documents/doc/G/URN_NBN_SI_doc-GJSY6H36_001.pdf</relation><relation>documents/doc/G/URN_NBN_SI_doc-GJSY6H36_001.txt</relation><format format_type="issue">23</format><format format_type="volume">7</format><format format_type="type">article</format><format format_type="extent">str. 26-28</format><identifier identifier_type="ISSN">2232-2582</identifier><identifier identifier_type="COBISSID">288135680</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-GJSY6H36</identifier><language>slv</language><publisher>Društvo humanistov Goriške</publisher><source>Razpotja</source><rights>InC</rights><subject language_type_id="slv">kinematografija</subject><subject language_type_id="slv">postmodernizem</subject><subject language_type_id="slv">teorija zarote</subject><title>Kinematografija zarote v dolgih sedemdesetih</title></Record>