<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-GGQ3CRUM</identifier><date>2021</date><creator>Ninov, Dimitar</creator><relation>documents/doc/G/URN_NBN_SI_doc-GGQ3CRUM_001.pdf</relation><relation>documents/doc/G/URN_NBN_SI_doc-GGQ3CRUM_001.txt</relation><format format_type="issue">1</format><format format_type="volume">57</format><format format_type="type">article</format><format format_type="extent">str. 131-148</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="DOI">10.4312/mz.57.1.131-148</identifier><identifier identifier_type="COBISSID">150166275</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-GGQ3CRUM</identifier><language>eng</language><publisher publisher_location="Ljubljana">Založba Univerze v Ljubljani</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">harmonija</subject><subject language_type_id="slv">kadenca</subject><subject language_type_id="slv">obilka</subject><subject language_type_id="slv">podaljšanje</subject><subject language_type_id="slv">Schönberg, Arnold: Fundamentals of Musical Composition</subject><subject language_type_id="slv">stavek</subject><title>Interior cadences in the sentence of Schoenberg</title></Record>