<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-FV4OQIKH/58519d72-f87c-4ae0-9feb-47af1ead590f/PDF"><dcterms:extent>178 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-FV4OQIKH/cc194041-ebae-4511-84e6-d4b0abf32853/TEXT"><dcterms:extent>0 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1991-2025"><edm:begin xml:lang="en">1991</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-FV4OQIKH"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-U0OAUONZ" /><dcterms:issued>2020</dcterms:issued><dc:creator>Regazzoni, Susanna</dc:creator><dc:format xml:lang="sl">številka:letn. 28</dc:format><dc:format xml:lang="sl">str. 35-52</dc:format><dc:identifier>ISSN:0353-9660</dc:identifier><dc:identifier>DOI:10.4312/vh.28.1.35-52</dc:identifier><dc:identifier>COBISSID_HOST:46388995</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-FV4OQIKH</dc:identifier><dc:language>es</dc:language><dc:publisher xml:lang="sl">Editorial Científica de la Facultad de Filosofía y Letras</dc:publisher><dc:publisher xml:lang="sl">Znanstvena založba Filozofske fakultete</dc:publisher><dcterms:isPartOf xml:lang="sl">Verba hispanica</dcterms:isPartOf><dc:subject xml:lang="sl">Duarte Peron, Eva</dc:subject><dc:subject xml:lang="sl">hispanoameriška književnost</dc:subject><dc:subject xml:lang="en">history</dc:subject><dc:subject xml:lang="sl">kratka proza</dc:subject><dc:subject xml:lang="en">Latin American literature</dc:subject><dc:subject xml:lang="en">narration</dc:subject><dc:subject xml:lang="sl">predelave</dc:subject><dc:subject xml:lang="en">reality</dc:subject><dc:subject xml:lang="en">rewrites</dc:subject><dc:subject xml:lang="sl">zgodovina</dc:subject><dcterms:temporal rdf:resource="1991-2025" /><dc:title xml:lang="sl">El relato del cadáver de una mujer entre Historia y ficción| Evita|</dc:title><dc:description xml:lang="sl">The story of Eva Duarte de Perón (1919-1952) has inspired popular imagina-tion round the world and has been the subject of numerous creations and recreations in literature, film and music; it has kindled love and provoked hate. On the occasion of the recent centenary of the birth of Eva Perón in 2019, we propose to study some stories written over the past sixty years on the subject of the body of Argentina%s most famous woman. Taking as the starting point Juan Carlos Onetti's "Ella", the first such story which was written in 1953 and published in 1994 and which narrates the death of Eva Perón and the decision to embalm her body, the article studies Rodolfo Walsh's "Esa mujer" (1965) and Rodrigo Fresán's "The Only Privileged One" (1991). Onetti's story inau-gurates a long literary tradition, which takes as its subject the mythification and immortalisation of the body of this Argentine female legend, and also anticipates a series of recurring motifs in the later treatments of the subject</dc:description><dc:description xml:lang="sl">Zgodba Eve Perón (1919-1952) je zbudila ljudsko domišljijo po vsem svetu ter je bila predmet stvaritev in poustvaritev v književnosti, filmu in glasbi. Sprožala je ljubezen in sovraštvo. Ob nedavni stoletnici rojstva Eve Duarte Perón prispevek izpostavlja nekaj zgodb, ki so bile napisane v zadnjih šestde-setih letih o truplu najslavnejše ženske v Argentini. Izhodišče analize je zgodba "Ella" Ona Juana Carlosa Onettija, ki je bila napisana leta 1953 in objavljena 1994 ter pripoveduje o smrti Eve Perón in odločitvi, da je treba njeno truplo balzamirati, "Esa Mujer" Tista ženska (1965) Rodolfa Walsha in "El único privilegiado" Edini privilegiranec (1991) Rodriga Fresána. Onettijeva zgodba odpira dolgo literarno tradicijo, ki jemlje za snov mitifikacijo argentinskega ženskega telesa par excellence in njegov vpis v nesmrtnost ter anticipira niz motivov, ki se ponovno znajdejo v različnih poznejših različicah</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-FV4OQIKH"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-FV4OQIKH" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-FV4OQIKH/58519d72-f87c-4ae0-9feb-47af1ead590f/PDF" /><edm:rights rdf:resource="http://creativecommons.org/licenses/by-sa/4.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Univerza v Ljubljani, Filozofska fakulteta</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-FV4OQIKH/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-FV4OQIKH" /></ore:Aggregation></rdf:RDF>