<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-FV1CAPEU</identifier><date>2014</date><creator>Kreft, Lev</creator><relation>documents/doc/F/URN_NBN_SI_doc-FV1CAPEU_001.pdf</relation><relation>documents/doc/F/URN_NBN_SI_doc-FV1CAPEU_001.txt</relation><format format_type="volume">19</format><format format_type="issue">75/76</format><format format_type="type">article</format><format format_type="extent">str. 93-105, 163, 169</format><identifier identifier_type="ISSN">1318-8828</identifier><identifier identifier_type="COBISSID">1537404356</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-FV1CAPEU</identifier><language>eng</language><publisher>Društvo za primerjalno religiologijo</publisher><publisher publisher_location="Koper">Univerza na Primorskem, Znanstveno-raziskovalno središče, Univerzitetna založba Annales</publisher><source>Poligrafi</source><rights>InC</rights><subject language_type_id="slv">Adorno, Theodor Wiesengrund</subject><subject language_type_id="slv">David, Jacques-Louis</subject><subject language_type_id="slv">filozofija umetnosti</subject><subject language_type_id="slv">francosko slikarstvo</subject><subject language_type_id="slv">interpretacija</subject><subject language_type_id="slv">umetnostni slogi</subject><title>Mars disarmed by Venus and the three graces</title></Record>