<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-FTUVD20E/a80982c7-92a3-476e-98a7-045c7fc453bf/PDF"><dcterms:extent>581 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-FTUVD20E/080d2f70-7e02-43ed-8cf9-18766cc05163/TEXT"><dcterms:extent>68 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1965-2025"><edm:begin xml:lang="en">1965</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-FTUVD20E"><edm:isNextInSequence rdf:resource="https://www.dlib.si/details/URN:NBN:SI:doc-K8FEZJ71" /><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-ETPSIC7M" /><dcterms:issued>2018</dcterms:issued><dc:creator>Pušnik, Maruša</dc:creator><dc:format xml:lang="sl">številka:4</dc:format><dc:format xml:lang="sl">letnik:55</dc:format><dc:format xml:lang="sl">str. 882-905, 961-962</dc:format><dc:identifier>ISSN:0040-3598</dc:identifier><dc:identifier>COBISSID:35971165</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-FTUVD20E</dc:identifier><dc:language>sl</dc:language><dc:publisher xml:lang="sl">Visoka šola za politične vede</dc:publisher><dcterms:isPartOf xml:lang="sl">Teorija in praksa</dcterms:isPartOf><dc:subject xml:lang="sl">elektrifikacija</dc:subject><dc:subject xml:lang="sl">History of journalism</dc:subject><dc:subject xml:lang="sl">kino</dc:subject><dc:subject xml:lang="sl">kulturne transformacije</dc:subject><dc:subject xml:lang="sl">mediatizacija</dc:subject><dc:subject xml:lang="sl">Slovenian newspapers</dc:subject><dc:subject xml:lang="sl">Slovenski časniki</dc:subject><dc:subject xml:lang="sl">Slovenski narod (periodična publikacija)</dc:subject><dc:subject xml:lang="sl">Zgodovina novinarstva</dc:subject><dcterms:temporal rdf:resource="1965-2025" /><dc:title xml:lang="sl">Slovenski narod v dobi zgodnje mediatizacije| od telegrafa do kinematografije|</dc:title><dc:description xml:lang="sl">This paper examines how the newspaper Slovenski narod, a central Slovenian media outlet in the second half of the 19th and first half of the 20th centuries, responded to radical changes in the media landscape accompanying electrification and industrialisation. These changes came during the second wave of mediatisation, which started in the Slovenian space with the introduction of electronic media and drastically altered the entire media landscape. The article examines how Slovenski narod faced these considerable media changes. For a detailed case study, I chose the arrival of cinema at the end of the 19th century and studied how Slovenski narod discussed its first appearance and widespread entry into Slovenian society. I was interested in the discursive frame built by Slovenski narod around the arrival of cinema because we may also make conclusions based on this regarding how the press has responded to other radical, more intense changes to the media occurring later in the 20th century upon the introduction of electronic media (first radio and then television)</dc:description><dc:description xml:lang="sl">Članek proučuje odzive Slovenskega naroda, enega izmed osrednjih slovenskih medijev druge polovice 19. stoletja in prve polovice 20. stoletja, na radikalne spremembe v medijski krajini, do katerih je prihajalo z elektrifikacijo in industrializacijo. Te spremembe so se oblikovale na ozadju drugega vala mediatizacije, ki se je v slovenskem prostoru začel z uvedbo elektronskih medijev in je radikalno spremenil celotno medijsko krajino. Članek proučuje, kako se je takratni slovenski tisk, Slovenski narod, soočal s temi radikalnimi medijskimi spremembami. Za podrobnejšo študijo primera sem izbrala prihod kina konec 19. stoletja in proučevala, kako je Slovenski narod obravnaval njegov prihod ter množičen vstop v slovensko družbo. Zanimalo me je, kakšen diskurzivni okvir je zgradil Slovenski narod okoli prihoda kina, saj iz tega lahko sklepamo tudi o odzivu tiska na takratne radikalne medijske spremembe, ki so se kasneje skozi 20. stoletje z vdorom elektronskih medijev (najprej radio in kasneje še televizija) še intenzivirale</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-FTUVD20E"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-FTUVD20E" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-FTUVD20E/a80982c7-92a3-476e-98a7-045c7fc453bf/PDF" /><edm:rights rdf:resource="http://rightsstatements.org/vocab/InC/1.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Univerza v Ljubljani, Fakulteta za družbene vede</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-FTUVD20E/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-FTUVD20E" /></ore:Aggregation></rdf:RDF>