{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-FO9QCJQY/880620f3-3444-4f74-bdf7-29d52a5fb881/PDF","dcterms:extent":"299 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-FO9QCJQY/d8651fe7-9bc3-4dc8-bd13-37ea831369c7/TEXT","dcterms:extent":"0 KB"}],"edm:TimeSpan":{"@rdf:about":"2015-2025","edm:begin":{"@xml:lang":"en","#text":"2015"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-FO9QCJQY","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE"},{"@xml:lang":"sl","#text":"Amfiteater (Ljubljana)"}],"dcterms:issued":"2025","dc:creator":"Smerkolj Simoneti, Jaka","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:13"},{"@xml:lang":"sl","#text":"str. 370-390"}],"dc:identifier":["DOI:10.51937/Amfiteater-2025-1/370-390","ISSN:1855-4539","COBISSID_HOST:240536067","URN:URN:NBN:SI:doc-FO9QCJQY"],"dc:language":"sl","dc:publisher":{"@xml:lang":"sl","#text":"= University of Ljubljana Press"},"dc:subject":[{"@xml:lang":"en","#text":"documentary theatre"},{"@xml:lang":"sl","#text":"dokumentarno gledališče"},{"@xml:lang":"en","#text":"feminist performance studies"},{"@xml:lang":"en","#text":"feminist theatre"},{"@xml:lang":"sl","#text":"feministične študije scenskih umetnosti"},{"@xml:lang":"sl","#text":"feministično gledališče"},{"@xml:lang":"en","#text":"Sex education II"},{"@xml:lang":"sl","#text":"Spolna vzgoja II"},{"@xml:lang":"sl","#text":"Tjaša Črnigoj"}],"dcterms:temporal":{"@rdf:resource":"2015-2025"},"dc:title":{"@xml:lang":"sl","#text":"Feministična vstopanja v uprizoritvene umetnosti| primer Spolne vzgoje II|"},"dc:description":[{"@xml:lang":"sl","#text":"The article examines the series of lecture-performances about the sexual pleasure of women, Sex Education II, directed by Tjaša Črnigoj, as an example of feminist theatre in Slovenia. It begins by exploring the intersections of feminist theories and performing arts. Each component in the series (Diagnosis, Consentire, Ability, Play, Fight) reflects on feminist approaches to performance practice, both in the production and the creative process, wherein the focus on documentary theatre plays a decisive role in the thematic and formal analyses of the performances. Sex Education II gradually transitions from addressing issues of women’s bodies to broader questions about the position of women in society and the influence of patriarchy on the most intimate aspects of their lives. Diverse strategies for approaching stage material and conveying it to the audience reveal the intersectionality of feminist theatre as realised in Sex Education II"},{"@xml:lang":"sl","#text":"Prispevek pod drobnogled jemlje serijo predavanj-performansov o seksualnem užitku žensk Spolna vzgoja II v režiji Tjaše Črnigoj kot primer feminističnega gledališča v Sloveniji. Uvodoma razdela presečišča feminističnih teorij in uprizoritvenih umetnosti. V vsakem posameznem delu (Diagnoza, Consentire, Zmožnost, Igre, Borba) razmišlja o feminističnih vstopanjih v uprizoritveno prakso tako na nivoju produkcije in snovanja procesa, pri čemer odločilno vlogo igra usmeritev v formo dokumentarnega gledališča, kakor tudi na nivoju vsebinske in formalne analize uprizoritev, kjer Spolna vzgoja II postopoma prehaja od vprašanj teles žensk do širših problematik položaja žensk v družbi in vpliva patriarhata na najintimnejše dele njihovih življenj. Raznolike strategije pristopanja k odrskemu materialu in njegovega posredovanja občinstvu razkrivajo presečnost feminističnega gledališča, kot se udejanja v Spolni vzgoji II"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-FO9QCJQY","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-FO9QCJQY"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-FO9QCJQY/880620f3-3444-4f74-bdf7-29d52a5fb881/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by-sa/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut (SLOGI)"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-FO9QCJQY/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-FO9QCJQY"}}}}