{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-FI0CZB8H/f3fdb556-d16d-41d8-851a-b71b9bd0aa43/PDF","dcterms:extent":"613 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-FI0CZB8H/df2f7afd-8d5d-4931-845a-b112dde4dc41/TEXT","dcterms:extent":"50 KB"}],"edm:TimeSpan":{"@rdf:about":"1978-2025","edm:begin":{"@xml:lang":"en","#text":"1978"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-FI0CZB8H","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-EVBFLKN7"},{"@xml:lang":"sl","#text":"Primerjalna književnost"}],"dcterms:issued":"2017","dc:creator":"Wintersteiner, Werner","dc:format":[{"@xml:lang":"sl","#text":"številka:2"},{"@xml:lang":"sl","#text":"letnik:40"},{"@xml:lang":"sl","#text":"str. 33-51"}],"dc:identifier":["ISSN:0351-1189","COBISSID_HOST:64744546","URN:URN:NBN:SI:doc-FI0CZB8H"],"dc:language":"en","dc:publisher":{"@xml:lang":"sl","#text":"Slovensko društvo za primerjalno književnost"},"dc:subject":[{"@xml:lang":"sl","#text":"21. stol."},{"@xml:lang":"en","#text":"21st cent."},{"@xml:lang":"en","#text":"aesthetic autonomy"},{"@xml:lang":"sl","#text":"družbeni angažma"},{"@xml:lang":"sl","#text":"estetska avtonomija"},{"@xml:lang":"sl","#text":"Jenni, Alexis, 1963-"},{"@xml:lang":"sl","#text":"Jergović, Miljenko, 1966-"},{"@xml:lang":"sl","#text":"literatura in etika"},{"@xml:lang":"en","#text":"literature and ethics"},{"@xml:lang":"en","#text":"novel"},{"@xml:lang":"sl","#text":"roman"},{"@xml:lang":"sl","#text":"Shamsie, Kamila, 1973-"},{"@xml:lang":"en","#text":"social engagement"},{"@xml:lang":"sl","#text":"svetovna književnost"},{"@xml:lang":"en","#text":"world literature"},{"@rdf:resource":"http://www.wikidata.org/entity/Q8261"}],"dcterms:temporal":{"@rdf:resource":"1978-2025"},"dc:title":{"@xml:lang":"sl","#text":"From a violent past towards a global ethics?| twentieth century atrocities in select novels of the twenty-first century|"},"dc:description":[{"@xml:lang":"sl","#text":"The relationship between ethics and literature has always been a contested one. I firstly discuss this relationship, arguing that literature is not ethical per se, which is the reason why it can serve ethical purposes. Secondly, I state, in line with Martha Nussbaum, why any ethical thinking today has to refer to global ethics. Drawing from this, I present three recent novels, all of which deal with fundamental twentieth century atrocities: Burnt Shadows by Kamila Shamsie, The French Art of War by Alexis Jenni and The Walnut Mansion by Miljenko Jergović. They pose philosophical and ethical questions about war, violence and the great ruptures of civilisation. They are a component of world literature in the sense that the plot, and the ethical reflection triggered by this, is not related to a single nation state, but to the global situation. The authors make use of a historical profile encompassing a period of 60 to 100 years of narrated time. In this way, they can make a connection between personal and historical-political development visible. But this connection is less ensconced in the material history of the facts than in an ideology and \"culture\" that is responsible for the permanence of war and violent conflicts. The involvement of the characters in conflicts proves to be more than just a matter of character and of personal attitudes; it is also the result of social constellations. The personal and the political are never separated, which in no way releases the individuals from their responsibilities"},{"@xml:lang":"sl","#text":"Razmerje med etiko in literaturo je že od nekdaj sporno. Prispevek najprej osvetli to razmerje in zagovarja tezo, da literatura sama ni etična, prav zato pa lahko služi etičnim namenom. V soglasju z Martho Nussbaum razloži, zakaj se mora sleherno razmišljanje o etiki danes navezovati na globalno etiko. Nato predstavi tri sodobne romane, ki se ukvarjajo z grozodejstvi. Vsi trije se dotikajo osrednjih dogodkov in socialnih premikov 20. stoletja. Zastavljajo vprašanja o vojni, nasilju in civilizacijskih prelomnicah. Ne poučujejo, temveč pripovedujejo zgodbe. Uvrščajo se v svetovno književnost, in sicer zato, ker se zgodbe in etična razmišljanja, ki jih te vzbujajo, ne navezujejo na posamezne nacionalne države, temveč (v različni meri) na globalno situacijo. Ne glede na te podobnosti se razlikujejo po tematikah in po zemljepisnih ter političnih scenarijih: Burnt Shadows (2009) Kamile Shamsie je roman, v katerem je v ospredju vprašanje atomskega orožja, bombe na Nagasaki in njenih posledic. L'Art français de la guerre (2011) Alexisa Jennija se ukvarja s Francijo, z deželo, ki ni bila le kolonialna sila, temveč tudi žrtev nacističnega nasilja. Roman Dvorci iz orehovine (2003) Miljenka Jergovića opisuje vojne in nasilje v Jugoslaviji v 20. stoletju. Tema, ki povezuje vsa tri dela, je spraševanje po razlogih za (družbeno) nasilje. Pripovedovani čas zaobjema obdobja od 60 do 100 let. Avtorji tako naredijo vidno povezavo med osebnim in zgodovinsko-političnim razvojem. Toda ta povezava se ne skriva le v materialni zgodovini dejstev, temveč predvsem v ideologiji in \"kulturi\", ki je odgovorna za trajanje vojne in nasilnih sporov. Izkaže se, da je vpletenost likov v konflikte in vojne več kot le vprašanje značaja in osebne drže; je plod družbenih konstelacij. Osebno in politično nista nikoli ločena, kar pa seveda posameznikov ne odvezuje od odgovornosti"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-FI0CZB8H","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-FI0CZB8H"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-FI0CZB8H/f3fdb556-d16d-41d8-851a-b71b9bd0aa43/PDF"},"edm:rights":{"@rdf:resource":"http://rightsstatements.org/vocab/InC/1.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovensko društvo za primerjalno književnost"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-FI0CZB8H/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-FI0CZB8H"}}}}