<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-FGZEUHRZ</identifier><date>2008</date><creator>Lovrinić, Nikola</creator><relation>documents/doc/F/URN_NBN_SI_doc-FGZEUHRZ_001.pdf</relation><relation>documents/doc/F/URN_NBN_SI_doc-FGZEUHRZ_001.txt</relation><format format_type="issue">2</format><format format_type="volume">4</format><format format_type="type">article</format><format format_type="extent">str. 21-41</format><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID">29061933</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-FGZEUHRZ</identifier><language>eng</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>InC</rights><subject language_type_id="slv">16.st.</subject><subject language_type_id="slv">glasba</subject><subject language_type_id="eng">music</subject><subject language_type_id="slv">Palestrina, Giovanni Pierluigi da, 1525-1594</subject><subject language_type_id="slv">parodiranje</subject><subject language_type_id="slv">Puliti, Gabriello, ok.1580-1644</subject><title>Palestrina's Vestiva i colli as a model for the parody process in Gabriello Puliti's early works</title></Record>