<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-FE89I53V</identifier><date>2017</date><creator>Peklar, Barbara</creator><relation>documents/doc/F/URN_NBN_SI_doc-FE89I53V_001.pdf</relation><relation>documents/doc/F/URN_NBN_SI_doc-FE89I53V_001.txt</relation><format format_type="issue">1</format><format format_type="volume">11</format><format format_type="type">article</format><format format_type="extent">str. 90-105</format><identifier identifier_type="ISSN">1854-9632</identifier><identifier identifier_type="COBISSID">64829282</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-FE89I53V</identifier><language>eng</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Ars et humanitas</source><rights>BY-SA</rights><subject language_type_id="slv">beseda in podoba</subject><subject language_type_id="slv">fikcija</subject><subject language_type_id="slv">francoska književnost</subject><subject language_type_id="slv">Guillame de Lorris</subject><subject language_type_id="slv">literarne študije</subject><subject language_type_id="slv">literarni motivi</subject><subject language_type_id="slv">Narcisov tolmun</subject><subject language_type_id="slv">pesnitve</subject><subject language_type_id="slv">poosebitev</subject><subject language_type_id="slv">srednjeveška književnost</subject><subject language_type_id="slv">teorija estetskega učinka</subject><title>The imaginary self-portrait in the poem Roman de la Rose</title></Record>