<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-FCWI6WWN</identifier><date>2013</date><creator>Gilányi, Gabriella</creator><relation>documents/doc/F/URN_NBN_SI_doc-FCWI6WWN_001.pdf</relation><relation>documents/doc/F/URN_NBN_SI_doc-FCWI6WWN_001.txt</relation><format format_type="issue">1/2</format><format format_type="volume">9</format><format format_type="type">article</format><format format_type="extent">str. 123-137</format><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID">36943149</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-FCWI6WWN</identifier><language>eng</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>InC</rights><subject language_type_id="slv">13./14.st.</subject><subject language_type_id="slv">antifone</subject><subject language_type_id="slv">gregorijanski koral</subject><subject language_type_id="slv">Oglej (Italija)</subject><title>Liturgical and musical properization of mode 2 invitatories in the autumn matins</title></Record>