{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-F7X6SJOO/6a18d0c2-062c-480a-9aca-178b3ef9108b/PDF","dcterms:extent":"636 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-F7X6SJOO/32e96a96-19da-4d89-bdaa-a66bb64f6fd5/TEXT","dcterms:extent":"52 KB"}],"edm:TimeSpan":{"@rdf:about":"1978-2025","edm:begin":{"@xml:lang":"en","#text":"1978"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-F7X6SJOO","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-EVBFLKN7"},{"@xml:lang":"sl","#text":"Primerjalna književnost"}],"dcterms:issued":"2020","dc:creator":"Pranjić, Kristina","dc:format":[{"@xml:lang":"sl","#text":"številka:3"},{"@xml:lang":"sl","#text":"letnik:43"},{"@xml:lang":"sl","#text":"str. 139-157"}],"dc:identifier":["ISSN:0351-1189","DOI:10.3986/pkn.v43.i3.08","COBISSID:38228483","URN:URN:NBN:SI:doc-F7X6SJOO"],"dc:language":"sl","dc:publisher":{"@xml:lang":"sl","#text":"Slovensko društvo za primerjalno književnost"},"dc:subject":[{"@xml:lang":"sl","#text":"Balkan"},{"@xml:lang":"sl","#text":"barbarogenij"},{"@xml:lang":"sl","#text":"Evropa"},{"@xml:lang":"sl","#text":"imagologija"},{"@xml:lang":"sl","#text":"jugoslovanska književnost"},{"@xml:lang":"sl","#text":"kulturna identiteta"},{"@xml:lang":"sl","#text":"literarna avantgarda"},{"@xml:lang":"sl","#text":"Micić, Ljubomir"},{"@xml:lang":"sl","#text":"zenitizem"}],"dcterms:temporal":{"@rdf:resource":"1978-2025"},"dc:title":{"@xml:lang":"sl","#text":"Zenitistični koncept barbarogenija kot kritika zahodnoevropske kulture|"},"dc:description":[{"@xml:lang":"sl","#text":"The article presents the image of a Balkan man, barbarogenius, as conceived by one of the central representatives of the Yugoslav avant-garde, Ljubomir Micić (1895-1971). The concepts of barbarian-genius and balkanization/barbarization of Europe were developed in the Zenit (1921-1926) journal, and were also represented in Micić's poetry and prose (the novel Barbarogenious Decivilizer). Similar ideas can also be found in the work of Srečko Kosovel (1904-1926) and in the Ljubljana Tank journal (1927). This points to the formation of a specific local identity, which indicates the national context of the Yugoslav avant-garde. In this way, we can track the original thought and art-historical specifics of this avant-garde current, connected with particular socio-political events in the first decades of the twentieth century. Both internationalization/cosmopolitanism and radical exposure of national characteristics can be seen as strategies for the transgression of identities, and for the establishment of the Balkans as a pluralistic cultural identity with its creative power within the Yugoslav avant-garde"},{"@xml:lang":"sl","#text":"Članek tematizira podobo balkanskega človeka barbarogenija, kot jo zasnuje eden od osrednjih predstavnikov jugoslovanske avantgarde Ljubomir Micić. Ideji barbara-genija in balkanizacije/barbarizacije Evrope se razvijeta v reviji Zenit, prav tako pa sta zastopani v Micićevi poeziji in prozi (roman Barbarogenij Decivilizator). Podobne sintagme najdemo tudi pri Srečku Kosovelu in akterjih ljubljanske revije Tank. Le-te kažejo na oblikovanje posebne lokalne identitete, ki vzpostavlja tudi nacionalni kontekst njihovega dela. S tem pa pričajo tudi o izvirni misli in umetnostno-zgodovinski specifiki jugoslovanske avantgardne struje, povezane s specifičnimi družbeno-političnimi dogodki v prvih desetletjih 20. stoletja. Funkcija avantgardističnega vračanja k nacionalnim koreninam je sprevračanje hierarhiziranega razmerja do Zahoda z radikalno avtostereotipizacijo. Tako internacionalizacija/kozmopolitskost kot radikalno izpostavljanje nacionalnih karakteristik se kažeta kot strategiji za transgresijo identitet in vzpostavljanje Balkana kot pluralne kulturne identitete s svojo ustvarjalno močjo znotraj jugoslovanske avantgarde"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-F7X6SJOO","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-F7X6SJOO"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-F7X6SJOO/6a18d0c2-062c-480a-9aca-178b3ef9108b/PDF"},"edm:rights":{"@rdf:resource":"http://rightsstatements.org/vocab/InC/1.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovensko društvo za primerjalno književnost"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-F7X6SJOO/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-F7X6SJOO"}}}}