<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-ENORYRE6/2a35494a-8208-4e01-80c6-f031836a8957/HTML"><dcterms:extent>68 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-ENORYRE6/af287b72-1bdb-485d-8772-32bf2730589b/PDF"><dcterms:extent>275 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-ENORYRE6/a12fadd4-a049-47fe-bbe3-6eac1daf0a8a/TEXT"><dcterms:extent>65 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1978-2025"><edm:begin xml:lang="en">1978</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-ENORYRE6"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-EVBFLKN7" /><dcterms:issued>2012</dcterms:issued><dc:contributor>Balžalorsky, Varja</dc:contributor><dc:creator>Luisetti, Federico</dc:creator><dc:format xml:lang="sl">številka:2</dc:format><dc:format xml:lang="sl">letnik:35</dc:format><dc:format xml:lang="sl">str. 95-106, 237-249</dc:format><dc:identifier>ISSN:0351-1189</dc:identifier><dc:identifier>COBISSID:49712738</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-ENORYRE6</dc:identifier><dc:language>en</dc:language><dc:language>sl</dc:language><dc:publisher xml:lang="sl">Slovensko društvo za primerjalno književnost</dc:publisher><dcterms:isPartOf xml:lang="sl">Primerjalna književnost</dcterms:isPartOf><dc:subject xml:lang="en">aesthetics</dc:subject><dc:subject xml:lang="en">art</dc:subject><dc:subject xml:lang="sl">estetika</dc:subject><dc:subject xml:lang="sl">italijanski futurizem</dc:subject><dc:subject xml:lang="sl">Marinetti, Filippo Tommaso, 1876-1944</dc:subject><dc:subject xml:lang="sl">radijska performativnost</dc:subject><dc:subject xml:lang="en">technology</dc:subject><dc:subject xml:lang="sl">tehnologija</dc:subject><dc:subject xml:lang="sl">tehnološki vitalizem</dc:subject><dc:subject xml:lang="sl">umetnost</dc:subject><dc:subject xml:lang="sl">umetnost intervalov</dc:subject><dc:subject rdf:resource="http://www.wikidata.org/entity/Q735" /><dcterms:temporal rdf:resource="1978-2025" /><dc:title xml:lang="sl">Nečloveški intervali| Filippo Tommaso Marinetti's radio syntheses| Nonhuman intervals| prevedla Varja Balžalorsky| radijske sinteze Filippa Tomassa Marinettija|</dc:title><dc:description xml:lang="sl">In his 1933 'sintesi radiofoniche' (radio syntheses) Filippo Tommaso Marinetti explores the conceptual and sensorial density of wireless communication, alternating sounds, noises and silences through a complex use of interruptions and intervals. This essay analyses the theoretical implications of these unprecedented in-betweens in the context of the debates on infra-representational artistic methods taking place at the beginning of the twentieth century. The technologisation of aesthetic production advocated by Marinetti is then framed within the landscape of a post-Bergsonian vitalist epistemology, in opposition to Gilles Deleuze's transcendental interpretation of the avant-garde practices of interruption</dc:description><dc:description xml:lang="sl">Filippo Tommaso Marinetti v radijskih sintezah (sintesi radiofoniche) iz leta 1933 z izmenjavo zvokov, šumov in pavz raziskuje pojmovno in senzorično gostoto brezžične komunikacije, pri čemer uvaja kompleksno rabo prekinitev in intervalov. V tem članku analiziramo teoretske implikacije Marinettijeve prelomne uvedbe teh vmesnosti v kontekstu razprav o infra-reprezentacijskih umetnostnih metodah z začetka 20. stoletja. Tehnizacijo estetske produkcije, za kakršno se zavzema Marinetti, nato umestimo v polje postbergsonovske vitalistične epistemologije in jo postavimo nasproti Deleuzovi transcendentalni interpretaciji avantgardističnih praks prekinitve</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-ENORYRE6"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-ENORYRE6" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-ENORYRE6/af287b72-1bdb-485d-8772-32bf2730589b/PDF" /><edm:rights rdf:resource="http://rightsstatements.org/vocab/InC/1.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Slovensko društvo za primerjalno književnost</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-ENORYRE6/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-ENORYRE6" /></ore:Aggregation></rdf:RDF>