<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-EKQ8X4PO</identifier><date>2016</date><creator>Trifonova, Temenuga</creator><relation>documents/doc/E/URN_NBN_SI_doc-EKQ8X4PO_001.pdf</relation><relation>documents/doc/E/URN_NBN_SI_doc-EKQ8X4PO_001.txt</relation><format format_type="issue">265</format><format format_type="volume">44</format><format format_type="type">article</format><format format_type="extent">str. 74-89</format><identifier identifier_type="ISSN">0351-4285</identifier><identifier identifier_type="COBISSID">291909632</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-EKQ8X4PO</identifier><language>slv</language><publisher>Študentska organizacija Univerze v Ljubljani</publisher><source>Časopis za kritiko znanosti</source><rights>BY-NC-ND</rights><subject language_type_id="slv">filmska teorija</subject><subject language_type_id="slv">kognitivitem</subject><subject language_type_id="slv">nevroestetika</subject><subject language_type_id="slv">nevroznanost</subject><title>branje možganov/filma skozi film/možgane</title><title>Nevroestetika in nevrokinematografija</title></Record>