<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-EHGX1J4L</identifier><date>2014</date><creator>Peng, Feng</creator><relation>documents/doc/E/URN_NBN_SI_doc-EHGX1J4L_001.pdf</relation><relation>documents/doc/E/URN_NBN_SI_doc-EHGX1J4L_001.txt</relation><format format_type="issue">2</format><format format_type="volume">35</format><format format_type="type">article</format><format format_type="extent">str. 141-155, 333</format><identifier identifier_type="ISSN">0353-4510</identifier><identifier identifier_type="COBISSID">37944109</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-EHGX1J4L</identifier><language>eng</language><publisher>Filozofski inštitut ZRC SAZU</publisher><source>Filozofski vestnik</source><rights>BY-NC-ND</rights><subject language_type_id="eng">art</subject><subject language_type_id="eng">China</subject><subject language_type_id="slv">Kitajska</subject><subject language_type_id="eng">modernism</subject><subject language_type_id="slv">modernizem</subject><subject language_type_id="eng">realism</subject><subject language_type_id="slv">realizem</subject><subject language_type_id="slv">umetnost</subject><title>Modernism in China</title><title>too early and too late</title></Record>