<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-EG2BEQ8D/d9b4b22d-6a1b-4749-b236-c242c070d456/PDF"><dcterms:extent>767 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-EG2BEQ8D/56347353-beb9-4635-a049-6a80f8f9ab28/TEXT"><dcterms:extent>40 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="2009-2025"><edm:begin xml:lang="en">2009</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-EG2BEQ8D"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-GMZ1HMBU" /><dcterms:issued>2014</dcterms:issued><dc:creator>Glišič, Miša</dc:creator><dc:format xml:lang="sl">številka:1</dc:format><dc:format xml:lang="sl">letnik:6</dc:format><dc:format xml:lang="sl">str. 107-122</dc:format><dc:identifier>ISSN:1855-8453</dc:identifier><dc:identifier>COBISSID:56779362</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-EG2BEQ8D</dc:identifier><dc:language>de</dc:language><dc:publisher xml:lang="sl">Znanstvena založba Filozofske fakultete</dc:publisher><dcterms:isPartOf xml:lang="sl">Vestnik za tuje jezike</dcterms:isPartOf><dc:subject xml:lang="sl">avstrijska književnost</dc:subject><dc:subject xml:lang="sl">avstrijska Koroška</dc:subject><dc:subject xml:lang="en">Carinthia</dc:subject><dc:subject xml:lang="sl">Haderlap, Maja, 1961-</dc:subject><dc:subject xml:lang="en">Haderlap, Maja: Engel des Vergessens</dc:subject><dc:subject xml:lang="sl">iskanje identitete</dc:subject><dc:subject xml:lang="sl">literarizacija zgodovine</dc:subject><dc:subject xml:lang="sl">manjšinsko vprašanje</dc:subject><dc:subject xml:lang="en">prose</dc:subject><dc:subject xml:lang="sl">proza</dc:subject><dc:subject xml:lang="en">Slovene literature</dc:subject><dc:subject xml:lang="sl">slovenska književnost</dc:subject><dc:subject xml:lang="sl">večkulturnost</dc:subject><dc:subject xml:lang="sl">vloga ženske</dc:subject><dc:subject xml:lang="sl">ženski liki</dc:subject><dc:subject rdf:resource="http://www.wikidata.org/entity/Q676" /><dcterms:temporal rdf:resource="2009-2025" /><dc:title xml:lang="sl">Die Authentizität in Maja Haderlaps Roman Engel des Vergessens|</dc:title><dc:description xml:lang="sl">This article analyses the authenticity of memories in the second half of the 20th century in Carinthia. The segmentation of historical authenticity is visible in the historical reminiscence of traumatic historical events in relation to social interaction. The combination of social, political und cultural elements affects the divergent experience of individuals in determinated environment. The complexity of the novel is seen in the inner feelings, which characterization relates to emotions and the subconscious of the population. The article focuses on the female perspective as well as on the role of women in the story. The author proves with her experience of unconsciously the unsolved problematic of her own literalizing of history. The personality of the writer is shown in the examples of double literary, personal and lingual identity</dc:description><dc:description xml:lang="sl">Članek poskuša na podlagi romana Angel pozabe pisateljice Maje Haderlap prikazati avtentičnost spominov doživljanja dogodkov na avstrijskem Koroškem v drugi polovici dvajsetega stoletja. Segmentacija zgodovinske avtentičnosti je vidna v obujanju travmatičnih doživetij, ki imajo sledove v preteklosti in medosebnih odnosih. Preplet socialnih, političnih ter kulturnih elementov vpliva na različne izkušnje posameznikov v determiniranem okolju. Kompleksnost romana je vidna v notranjih občutkih figur, katerih karakterizacija se navezuje na emocije in podzavest prebivalstva. Roman je obravnavan iz perspektive ženske zgodbe in proučuje vlogo ženske v romanu. Avtorica preko svojega umetniškega besedila s pridihom poetičnosti in svojim podzavestnim doživljanjem dokazuje nerazrešenost problematike lastne literarizacije zgodovine. Osebnost pisateljice se izkazuje v primerih dvojnih literarnih, osebnih in jezikovnih identitet</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-EG2BEQ8D"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-EG2BEQ8D" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-EG2BEQ8D/d9b4b22d-6a1b-4749-b236-c242c070d456/PDF" /><edm:rights rdf:resource="http://rightsstatements.org/vocab/InC/1.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Znanstvena založba Filozofske fakultete</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-EG2BEQ8D/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-EG2BEQ8D" /></ore:Aggregation></rdf:RDF>