<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-EFDJNBIV</identifier><date>2005</date><creator>Stefanija, Leon</creator><relation>documents/doc/E/URN_NBN_SI_doc-EFDJNBIV_001.pdf</relation><relation>documents/doc/E/URN_NBN_SI_doc-EFDJNBIV_001.txt</relation><format format_type="volume">14</format><format format_type="issue">53/54</format><format format_type="type">article</format><format format_type="extent">str. 229-264</format><identifier identifier_type="ISSN">1318-3362</identifier><identifier identifier_type="COBISSID">31765858</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-EFDJNBIV</identifier><language>slv</language><publisher>Nova revija</publisher><source>Phainomena (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">epistemologija</subject><subject language_type_id="eng">epistemology</subject><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">glasbena teorija</subject><subject language_type_id="slv">hermenevtika</subject><subject language_type_id="eng">music</subject><subject language_type_id="eng">semiotics</subject><subject language_type_id="slv">semiotika</subject><title>Izhodišča hermenevtike glasbe: štirje pogledi</title></Record>