2402 KB63 KB201120252022Berdajs, Tinaštevilka:107/108letnik:27str. 137-169DOI:10.35469/poligrafi.2022.351ISSN:1318-8828COBISSID_HOST:136363779URN:URN:NBN:SI:doc-E9P0U4UHslDruštvo za primerjalno religiologijoZnanstveno-raziskovalno središče KoperPoligrafiEast Asian porcelainEast-Asian collectionsexport porcelainizvozni porcelanmotifsmotivikaNarodni muzej SlovenijeNational Museum of Sloveniaporcelansimbolikasymbolismvzhodnoazijske zbirkevzhodnoazijski porcelanRazumevanje motivike in simbolike na vzhodnoazijskem porcelanu v zbirki Narodnega muzeja Slovenije|The paper presents an analysis of selected motifs which appear in various examples of decorated porcelain from East asia which is stored in the ceramics collection of the National Museum of Slovenia. Through an analysis of primary sources and secondary literature, as well as through direct handling of the objects, this paper presents the first overview of decorative styles and selected plant and animal motifs most often encountered on porcelain dated to the period between the first half of the 17th century and the end of the 19th century (or the beginning of the 20th century). Relating to the analysis of motifs and symbolism, three case studies of individual objects are presented, the decorative elements of which give an insight into the rich stories connected with the cultural-historical background of trade and cultural exchanges between Europe and East asia. The paper highlights examples of Chinese and Japanese export porcelain, which were mass-produced products for Western markets, but decorated with East asian motifs. The paper leads to a reflection on the role of the studied symbolism in the Japanese and Chinese cultural-historical environments as well as the (potential) role of these motifs in the environment where these objects of East Asian origin eventually came to be, i.e., in the area of today’s SloveniaV prispevku je analizirana izbrana motivika na različnih vrstah poslikanega vzhodnoazijskega porcelana, ki ga v zbirki keramike hrani Narodni muzej Slovenije. Članek z analizo primarnih virov in sekundarne literature in neposredne obravnave predmetov predstavi pregled slogov okraševanja ter izbranih rastlinskih in živalskih motivov, ki jih najpogosteje srečamo na porcelanu iz omenjene zbirke, ki spada v obdobje med prvo polovico 17. in koncem 19. stoletja (oziroma začet-kom 20. stoletja). V povezavi z analizo motivike in simbolike so predstavljene tudi tri raziskave primerov posameznih predmetov, pri katerih okrasni elementi nudijo vpogled v bogate zgodbe, povezane s kulturno-zgodovinskim ozadjem trgovskih in kulturnih izmenjav med Evropo in Vzhodno Azijo. V prispevku sta obravnavana kitajski in japonski izvozni porcelan, ki so ju masovno proizvajali za zahodne trge, vendar sta bila okrašena z vzhodnoazijsko motiviko. Prispevek vodi v razmislek o vlogi obravnavane simbolike v japonskem in kitajskem kulturno-zgodovinskem okolju in v povezavi s tem tudi (potencialne) vloge te motivike v okolju, kjer so končali predmeti vzhodnoazijskega izvora – na ozemlju današnje SlovenijeTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaZnanstveno-raziskovalno središče Koper