<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-DXKDOEAI</identifier><date>2015</date><relation>documents/doc/D/URN_NBN_SI_doc-DXKDOEAI_001.pdf</relation><relation>documents/doc/D/URN_NBN_SI_doc-DXKDOEAI_001.txt</relation><format format_type="volume">52</format><format format_type="type">article</format><format format_type="issue">avg./sep.</format><format format_type="extent">str. 12-17</format><identifier identifier_type="ISSN">0013-3302</identifier><identifier identifier_type="COBISSID_HOST">3018387</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-DXKDOEAI</identifier><language>slv</language><publisher publisher_location="Ljubljana">Slovenska kinoteka</publisher><source>Ekran (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">femme fatale</subject><subject language_type_id="slv">filmske komedije</subject><subject language_type_id="slv">intervjuji</subject><subject language_type_id="slv">teorija filma</subject><title>intervju Elisabeth Bronfen</title><title>Od Shakespeara do Oglaševalcev ali če bi bil Shakespeare danes živ, bi delal kakovostno televizijo</title></Record>