<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-DQX4QG4R</identifier><date>2021</date><creator>Jurgele, Kaja</creator><relation>documents/doc/D/URN_NBN_SI_doc-DQX4QG4R_001.pdf</relation><relation>documents/doc/D/URN_NBN_SI_doc-DQX4QG4R_001.txt</relation><format format_type="issue">1</format><format format_type="volume">9</format><format format_type="type">article</format><format format_type="extent">str. 212-217</format><identifier identifier_type="ISSN">1855-4539</identifier><identifier identifier_type="COBISSID_HOST">68185091</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-DQX4QG4R</identifier><language>slv</language><publisher>Akademija za gledališče, radio, film in televizijo</publisher><publisher>Društvo gledaliških kritikov in teatrologov Slovenije</publisher><publisher>Slovenski gledališki inštitut</publisher><source>Amfiteater (Ljubljana)</source><rights>BY</rights><subject language_type_id="slv">Birgit Fritz: InExActArt</subject><subject language_type_id="slv">recenzija</subject><title>Abstraktna umetnost kot vzvod dejanskih sprememb</title></Record>