<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-DQ8VNZBT/38f868e3-e102-4a37-81e8-88af20637281/PDF"><dcterms:extent>676 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-DQ8VNZBT/d6621d0e-c03a-4252-90b7-63067c54374d/TEXT"><dcterms:extent>60 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1994-2024"><edm:begin xml:lang="en">1994</edm:begin><edm:end xml:lang="en">2024</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-DQ8VNZBT"><edm:isNextInSequence rdf:resource="https://www.dlib.si/details/URN:NBN:SI:doc-DXSYWAQF" /><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-TQH6JN7K" /><dcterms:issued>2007</dcterms:issued><dc:creator>Wiesner, André</dc:creator><dc:format xml:lang="sl">letnik:14</dc:format><dc:format xml:lang="sl">številka:3</dc:format><dc:format xml:lang="sl">str. 7-29</dc:format><dc:identifier>ISSN:1318-3222</dc:identifier><dc:identifier>COBISSID:26701405</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-DQ8VNZBT</dc:identifier><dc:language>en</dc:language><dc:publisher xml:lang="sl">Evropski inštitut za komuniciranje in kulturo</dc:publisher><dcterms:isPartOf xml:lang="sl">Javnost (Ljubljana)</dcterms:isPartOf><dc:subject xml:lang="sl">dokumentarna fotografija</dc:subject><dc:subject xml:lang="sl">družbene razmere</dc:subject><dc:subject xml:lang="sl">fotografski motivi</dc:subject><dc:subject xml:lang="sl">Južna Afrika</dc:subject><dc:subject xml:lang="sl">politične razmere</dc:subject><dc:subject xml:lang="en">South Africa</dc:subject><dc:subject rdf:resource="http://www.wikidata.org/entity/Q258" /><dcterms:temporal rdf:resource="1994-2024" /><dc:title xml:lang="sl">Rediscovering the (extra)ordinary| missed experience and South African documentary photography|</dc:title><dc:description xml:lang="sl">Under apartheid, activist and commercial photographers confronted violent, traumatic events, and their exposure of these to the wider world played a key role in bringing about the downfall of the state. Post-apartheid, documentary photography has generally taken a different direction, directing attention to the surrounding society, and making good on all manner of missed experiences. In their move to peripheral situations, photographers dignify the culture-making of ordinary folk. The persons in the photographer's gaze are frequently those caught in the shock waves of hostilities (Guy Tillim), afflicted by a dread epidemic (Kim Lubdrook), or exposed to a diffuse condition of endangerment, like violent criminality (David Southwood). Photographers are themselves in a way fatally endangered from afar and their attempts to visualise what is out of frame can be seen as a form of self-defence and passionate search in a bid to come to terms with trouble. Theessay probes the post-apartheid state of documentary photography and its current directions</dc:description><dc:description xml:lang="sl">V času apartheida so aktivisti in komercialni fotografi beležili nasilne in travmatične dogodke. Ko se z njimi seznanil ves svet, je to bistveno prispevalo k padcu režima. Potem je dokumentarna fotografija ubrala druga pota; pozornost je bila usmerjena na družbo in zamujene izkušnje. S pozornostjo obrobnim situacijam fotografi častijo "delanje kulture" med navadnimi ljudmi. Fotografski pogled pogosto ujame osebe, ki so ujete v valove sovražnosti (Guy Tillim), prizadete z epidemijo (Kim Lubdrook) ali izpostavljene razpršeni nevarnostim, npr. nasilnemu kriminalu (David Southwood). Članek obravnava stanje dokumentarne fotografije po apartheidu in njene sedanje usmeritve</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-DQ8VNZBT"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-DQ8VNZBT" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-DQ8VNZBT/38f868e3-e102-4a37-81e8-88af20637281/PDF" /><edm:rights rdf:resource="http://rightsstatements.org/vocab/InC/1.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Evropski inštitut za komuniciranje in kulturo - EURICOM</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-DQ8VNZBT/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-DQ8VNZBT" /></ore:Aggregation></rdf:RDF>