<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-DOINMT4I/5d3763fa-d005-4b86-be43-2ad7efa91324/PDF"><dcterms:extent>94 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-DOINMT4I/402b624c-ae90-403a-aa16-cbd6d385fd6b/TEXT"><dcterms:extent>40 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="2004-2025"><edm:begin xml:lang="en">2004</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-DOINMT4I"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-SCXG6C82" /><dcterms:issued>2018</dcterms:issued><dc:creator>Vogrinc Javoršek, Urša</dc:creator><dc:format xml:lang="sl">številka:1</dc:format><dc:format xml:lang="sl">letnik:15</dc:format><dc:format xml:lang="sl">str. 99-110</dc:format><dc:identifier>ISSN:1581-8918</dc:identifier><dc:identifier>COBISSID_HOST:67380578</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-DOINMT4I</dc:identifier><dc:language>en</dc:language><dc:publisher xml:lang="sl">Znanstvena založba Filozofske fakultete Univerze v Ljubljani</dc:publisher><dcterms:isPartOf xml:lang="sl">ELOPE (Ljubljana)</dcterms:isPartOf><dc:subject xml:lang="sl">fantastika</dc:subject><dc:subject xml:lang="sl">fantasy</dc:subject><dc:subject xml:lang="sl">genre hybridity</dc:subject><dc:subject xml:lang="sl">hibridnost žanra</dc:subject><dc:subject xml:lang="en">political engagement</dc:subject><dc:subject xml:lang="sl">politični angažma</dc:subject><dc:subject xml:lang="en">prostor</dc:subject><dc:subject xml:lang="en">science fiction</dc:subject><dc:subject xml:lang="en">space</dc:subject><dc:subject xml:lang="sl">znanstvena fantastika</dc:subject><dcterms:temporal rdf:resource="2004-2025" /><dc:title xml:lang="sl">Gaiman, Banks and Miéville - hybrid space and genre|</dc:title><dc:description xml:lang="sl">The analysis of three recent British novels: Neil Gaiman's Neverwhere (1996), Iain Banks' Transition (2009) and china Miéville's The City &amp; the City (2009) strives to uncover structural parallelisms and the inherent evolution in their development, plot structuring and presentation. It is centred on the exhibited relation to the structure and general mechanics of space. The interpretations of space are based on Foucault's heterotopias, the rhizomeof Deleuze and Guattari,and de certeau's absent space,whichshow how the active force of space and the complexity of the genre identity are interconnected, and how they interact with the social and political engagement of the works and their wider cultural and social context. These seminal works of the British Boom provide a rich source material for an outline of the process of interplay of genre identity and political engagement, and an overview of how this interplay affects their plot, style and the protagonists</dc:description><dc:description xml:lang="sl">Analiza treh sodobnih britanskih romanov: Neverwhere (1996)Neila Gaimana, Transition (2009)Iaina Banksa in The City &amp; the City (2009) chine Miévilla razkriva povezave med pripovedno in žanrsko strukturo romanov ter strukturo in mehaniko ideje prostora. Interpretacija literarnega odnosa do prostora črpa iz Foucaultove ideje heterotopij, iz rizoma Deleuza in Guattarija ter de certeaujevega odsotnega prostora. Izkaže se, da je kompleksnost žanrske identitete teh treh literarnih del neločljivo povezana s silnicami prostora, kar pa se navezuje tudi na družbeno in politično angažiranost romanov ter širši kulturni in družbeni kontekst. Ključni romani gibanja British Boom ponujajo bogat vir, s pomočjo katerega je orisan proces medsebojnega učinkovanja prostora, žanrske identitete in politične angažiranosti, ki posredno vpliva tudi na zgodbo, slog in protagoniste</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-DOINMT4I"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-DOINMT4I" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-DOINMT4I/5d3763fa-d005-4b86-be43-2ad7efa91324/PDF" /><edm:rights rdf:resource="http://creativecommons.org/licenses/by-sa/4.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Univerza v Ljubljani, Filozofska fakulteta, Znanstvena založba</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-DOINMT4I/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-DOINMT4I" /></ore:Aggregation></rdf:RDF>