<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-DGIP13HL</identifier><date>2022</date><creator>Jovanović, Neven</creator><relation>documents/doc/D/URN_NBN_SI_doc-DGIP13HL_001.pdf</relation><relation>documents/doc/D/URN_NBN_SI_doc-DGIP13HL_001.txt</relation><format format_type="issue">3</format><format format_type="volume">45</format><format format_type="type">article</format><format format_type="extent">str. 53-63</format><identifier identifier_type="ISSN">0351-1189</identifier><identifier identifier_type="DOI">10.3986/pkn.v45.i3.04</identifier><identifier identifier_type="COBISSID_HOST">136212995</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-DGIP13HL</identifier><language>eng</language><publisher>Slovensko društvo za primerjalno književnost</publisher><source>Primerjalna književnost</source><rights>InC</rights><subject language_type_id="slv">antika</subject><subject language_type_id="eng">antiquity</subject><subject language_type_id="eng">Greek literature</subject><subject language_type_id="slv">grška književnost</subject><subject language_type_id="slv">Homerus</subject><subject language_type_id="slv">literarna recepcija</subject><subject language_type_id="eng">literary reception</subject><subject language_type_id="eng">online events</subject><subject language_type_id="slv">spletni dogodki</subject><title>A multiform YouTube Homeric rhapsody from 2020</title></Record>