<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-DCPGWUQY</identifier><date>2014</date><creator>Štrajn, Darko</creator><relation>documents/doc/D/URN_NBN_SI_doc-DCPGWUQY_001.pdf</relation><relation>documents/doc/D/URN_NBN_SI_doc-DCPGWUQY_001.txt</relation><format format_type="issue">2</format><format format_type="volume">37</format><format format_type="type">article</format><format format_type="extent">str. 39-53, 243</format><identifier identifier_type="ISSN">0351-1189</identifier><identifier identifier_type="COBISSID">55119714</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-DCPGWUQY</identifier><language>eng</language><publisher>Slovensko društvo za primerjalno književnost</publisher><source>Primerjalna književnost</source><rights>InC</rights><subject language_type_id="slv">"Berlin Alexanderplatz"</subject><subject language_type_id="slv">Benjamin, Walter, 1892-1940</subject><subject language_type_id="slv">demontaža</subject><subject language_type_id="slv">Döblin, Alfred, 1878-1957</subject><subject language_type_id="slv">Fassbinder, Rainer Werner, 1945-1982</subject><subject language_type_id="slv">filmske priredbe</subject><subject language_type_id="eng">German-language literature</subject><subject language_type_id="slv">književnost in film</subject><subject language_type_id="slv">montaža</subject><subject language_type_id="slv">nemška književnost</subject><subject language_type_id="eng">subjectivity</subject><subject language_type_id="slv">subjektivnost</subject><title>fragmented subjectivity as the subject-matter in novel, film and in digital forms of narration</title><title>The principle of montage and literature</title></Record>