<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-CVXTY96U</identifier><date>2025</date><creator>Jakha, Hicham</creator><relation>documents/doc/C/URN_NBN_SI_doc-CVXTY96U_001.pdf</relation><relation>documents/doc/C/URN_NBN_SI_doc-CVXTY96U_001.txt</relation><format format_type="issue">134/135</format><format format_type="volume">34</format><format format_type="type">article</format><format format_type="extent">str. 137-161</format><identifier identifier_type="DOI">10.32022/PHI34.2025.134-135.6</identifier><identifier identifier_type="ISSN">1318-3362</identifier><identifier identifier_type="COBISSID_HOST">264414723</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-CVXTY96U</identifier><language>eng</language><publisher publisher_location="Ljubljana">Inštitut Nove revije - Zavod za humanistiko</publisher><source>Phainomena (Ljubljana)</source><rights>BY</rights><subject language_type_id="slv">Alexius Meinong</subject><subject language_type_id="slv">fenomenologija</subject><subject language_type_id="slv">gledališče</subject><subject language_type_id="slv">Leopold Blaustein</subject><subject language_type_id="slv">ontologija</subject><subject language_type_id="eng">ontology</subject><subject language_type_id="eng">phenomenology</subject><subject language_type_id="eng">theater</subject><title>Did I just see Romeo commit suicide?</title><title>Meinong and Blaustein on theater</title></Record>