210 KB0 KB199120252020Albaladejo, Tomásštevilka:letn. 28str. 15-34ISSN:0353-9660DOI:10.4312/vh.28.1.15-34COBISSID_HOST:46372099URN:URN:NBN:SI:doc-CU53HK09esEditorial Científica de la Facultad de Filosofía y LetrasZnanstvena založba Filozofske fakulteteVerba hispanicafictionfikcijahistorical novelPérez Galdós, BenitorealityresničnostSpanish literaturešpanska književnostzgodovinski romanEvocación y construcción literaria| don Quijote en Bailén de Benito Pérez Galdós|This article deals with the evocation of Don Quixote in one of the Episodios Nacionales by Benito Pérez Galdós: the novel Bailén. This evocation is viewed as a result of literary transduction from the reading and interpretation of Cervantes' Don Quixote achieved by the author and by the hero, who is a first-person narrator. The article also deals with the evocations of Napoleon Bonaparte by the hero Gabriel Araceli and by the afrancesado Luis de Santorcaz during their journey from Madrid to Andalusia after the uprising of the people of Madrid on the 2nd of May 1808 against the French army and the shootings of Spaniards by French firing squads on the 3rd of May 1808 and before the battle of Bailén. The evocation of Don Quixote has a counterpart in the evocations of Napoleon by the hero as a terrible image and by Santorcaz as an admirable man. Evocations are analysed from the point of view of perspectivism and explained as a dialectical polarisation that is projected onto the whole novel and contributes to its literary construction. The role of his-tory and fiction in the novel is studied, as well as the function of literary and historical elements as part of the cultural-rhetorical communicative code that links the readers with the authorPričujoči članek obravnava obuditev don Kihota v romanu Bailén, enem od Galdósove serije romanov Episodios Nacionales (Nacionalne epizode). Takšna obuditev je rezultat literarne transdukcije oziroma načina, kako avtor in glavni junak kot prvoosebni pripovedovalec bereta in interpretirata Cervantesovega Don Kihota. Roman obudi tudi lik Napoleona Bonaparteja, kot ga vidita glavni junak Gabriel Araceli in pofrancozeni Luis de Santorcaz v času potovanja iz Madrida v Andaluzijo, po uporu madridskega prebivalstva proti francoski vojski 2. maja 1808 in usmrtitvah Špancev pred francoskimi strelskimi vodi 3. maja 1808 ter pred bitko pri Bailénu. Obuditev don Kihota je protiutež obujeni podobi Napoleona, ki ga glavni junak vidi kot srhljivega, Santorcaz pa kot občudovanja vrednega človeka. Vse obujene podobe so razčlenjene s stališča perspektivizma in pojasnjene kot dialektična polarizacija, ki se odraža v celotnem romanu, prispeva pa tudi k njegovi pripovedni zgradbi. Članek obravnava vlogo zgodovine in fikcije v romanu ter delovanje literarnih in zgodovinskih prvin kot dela komunikacijskega retorično-kulturnega koda, ki bralce povezuje z avtorjemTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUniverza v Ljubljani, Filozofska fakulteta