<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-CTVQ0AEY</identifier><date>2007</date><creator>Veselinović-Hofman, Mirjana</creator><relation>documents/doc/C/URN_NBN_SI_doc-CTVQ0AEY_001.htm</relation><relation>documents/doc/C/URN_NBN_SI_doc-CTVQ0AEY_001.pdf</relation><relation>documents/doc/C/URN_NBN_SI_doc-CTVQ0AEY_001.txt</relation><format format_type="issue">2</format><format format_type="volume">43</format><format format_type="type">article</format><format format_type="extent">str. 333-357</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="COBISSID">36327778</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-CTVQ0AEY</identifier><language>eng</language><publisher>Filozofska fakulteta, Oddelek za muzikologijo</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">časovno-prostorska enovitost</subject><subject language_type_id="slv">fenomenologija prostora glasbe</subject><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">hermenevtični "akord suspenza"</subject><subject language_type_id="eng">music</subject><subject language_type_id="slv">tišina v glasbi</subject><title>Silence as a hermeneutic oasis of music</title><title>Tišina kot hermenevtična oaza glasbe</title></Record>