<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-CNZT86K3</identifier><date>1998</date><creator>Volčič, Zala</creator><relation>documents/doc/C/URN_NBN_SI_doc-CNZT86K3_001.htm</relation><relation>documents/doc/C/URN_NBN_SI_doc-CNZT86K3_001.pdf</relation><relation>documents/doc/C/URN_NBN_SI_doc-CNZT86K3_001.txt</relation><format format_type="volume">35</format><format format_type="issue">6</format><format format_type="type">article</format><format format_type="extent">str. 1155-1157</format><identifier identifier_type="ISSN">0040-3598</identifier><identifier identifier_type="COBISSID">18915421</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-CNZT86K3</identifier><language>slv</language><publisher>Fakulteta za sociologijo, politične vede in novinarstvo v Ljubljani</publisher><source>Teorija in praksa</source><rights>InC</rights><subject language_type_id="slv">Debeljak, Aleš: Reluctant modernity</subject><subject language_type_id="slv">ocene in poročila</subject><title>Aleš Debeljak, Reluctant modernity</title><title>The Institution of Art and its Historical Forms</title></Record>