<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-CI3D7CHC</identifier><date>2023</date><creator>Holman, Peter</creator><relation>documents/doc/C/URN_NBN_SI_doc-CI3D7CHC_001.pdf</relation><relation>documents/doc/C/URN_NBN_SI_doc-CI3D7CHC_001.txt</relation><format format_type="volume">19</format><format format_type="issue">2</format><format format_type="type">article</format><format format_type="extent">str. 13-34</format><identifier identifier_type="DOI">10.3986/dmd19.2.01</identifier><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID">185621763</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-CI3D7CHC</identifier><language>eng</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>BY-NC-ND</rights><subject language_type_id="slv">glasbeni ponaredki</subject><subject language_type_id="slv">izmišljeni dokumenti</subject><subject language_type_id="slv">stara glasba</subject><subject language_type_id="slv">zgodovina</subject><title>The Strobach syndrome</title><title>François-Joseph Fétis, historical fakes and the early music revival</title></Record>