{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-C756W3OB/40556cb8-b4b1-4203-8d43-a1115168a8ce/PDF","dcterms:extent":"176 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-C756W3OB/2f61d850-96b1-4132-b946-83dd09a5adc4/TEXT","dcterms:extent":"7 KB"}],"edm:TimeSpan":{"@rdf:about":"2015-2025","edm:begin":{"@xml:lang":"en","#text":"2015"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-C756W3OB","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE"},{"@xml:lang":"sl","#text":"Amfiteater (Ljubljana)"}],"dcterms:issued":"2020","dc:creator":"Leskovšek, Nika","dc:format":[{"@xml:lang":"sl","#text":"številka:2"},{"@xml:lang":"sl","#text":"letnik:8"},{"@xml:lang":"sl","#text":"str. 108-130"}],"dc:identifier":["ISSN:1855-4539","COBISSID_HOST:44346115","URN:URN:NBN:SI:doc-C756W3OB"],"dc:language":"en","dc:publisher":[{"@xml:lang":"sl","#text":"Akademija za gledališče, radio, film in televizijo"},{"@xml:lang":"sl","#text":"Društvo gledaliških kritikov in teatrologov Slovenije"},{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut"}],"dc:subject":[{"@xml:lang":"en","#text":"(Slovenian) performance arts"},{"@xml:lang":"sl","#text":"Barbara Kapelj Osredkar"},{"@xml:lang":"en","#text":"immersive performance"},{"@xml:lang":"sl","#text":"nevladne organizacije"},{"@xml:lang":"en","#text":"non-governmental organisations"},{"@xml:lang":"en","#text":"politicality"},{"@xml:lang":"sl","#text":"političnost"},{"@xml:lang":"sl","#text":"potopitveno gledališče"},{"@xml:lang":"sl","#text":"Simona Semenič"},{"@xml:lang":"en","#text":"site-specific performance"},{"@xml:lang":"sl","#text":"site-specific projekt"},{"@xml:lang":"sl","#text":"uprizoritvene umetnosti na Slovenskem"}],"dcterms:temporal":{"@rdf:resource":"2015-2025"},"dc:title":{"@xml:lang":"sl","#text":"Politično participativnega gledališča v uprizoritvi Kapelj in Semenič v sestavljanju|"},"dc:description":[{"@xml:lang":"sl","#text":"The article is a case study of the contemporary performance art piece Kapelj and Semenič under construction (Kapelj in Semenič v sestavljanju) (2012, Ljubljana). The aim is to extract not only the performance's particular politicality through its site-specific aesthetic format and the audience interaction with it but also the correspondence of the form to the content and the concurrent political situation. Situated inside Simona Semenič's house, the performance was a textual (Semenič) and scenographic (Kapelj) site-specific installation. Spectators were immersed into the installation and then left free to wander in the format of immersive theatre, following the logic of the \"construction's\" station dramaturgy. The politicality of the piece problematises the somewhat archaic roles of a play/drama and of scenography on the backdrop of postdramatic theatre. By that, it also emphasises the specific role of drama, its formal development and politicality in the Slovenian historical political context from post-socialism to capitalism. The paper will demonstrate, however, that the politicality of the piece does not derive solely from the formal and historical dramatic references or the content of the dramatic text discussing the socio-political context of 2012. Rather, it is the particular aesthetic format of its sitespecific placement that raises discussions around identity politics, that is, the precarious and socially-marginalised entity of the non-institutional cultural worker, female, single mother, playwright, etc"},{"@xml:lang":"sl","#text":"Članek analizira uprizoritev Kapelj in Semenič v sestavljanju (2012, Ljubljana) v produkciji nevladne organizacije KD Integrali. Cilj prispevka je opredeliti točno določeno vrsto političnosti predstave in njene komunikacije z občinstvom, obenem pa tudi sovpadanje njene oblike in vsebine ter tedanje politične situacije na Slovenskem. Predstava, ki se je odvijala v sitespecific okolju hiše Simone Semenič, je bila v resnici tekstovna in scenografska instalacija, po kateri so se gledalci prosto sprehajali ter sledili obliki potopitvenega gledališča in logiki \"sestavljene\" sekvenčne dramaturgije. Političnost umetniškega dela se vzpostavlja v razmerju do tradicionalne vloge drame/besedila in scenografije na ozadju postdramskega gledališča. S tem odpira tudi vprašanje dramatike na prehodu od postsocialistične k kapitalistični družbeni ureditvi na Slovenskem. Članek pokaže, da njegova političnost ne izhaja zgolj iz njegove formalne strukture in zgodovinskih referenc ali iz njegove vsebinske vpetosti v politično situacijo leta 2012, pač pa ravno z uporabo site-specific gledališča odpira vprašanja identitete samostojnega kulturnega delavca, ki je družbeno marginaliziran in porinjen v prekarno obliko zaposlitve, ob tem pa dodaja še identiteto mame samohranilke, ženske, dramatičarke itd"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-C756W3OB","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-C756W3OB"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-C756W3OB/40556cb8-b4b1-4203-8d43-a1115168a8ce/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut (SLOGI)"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-C756W3OB/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-C756W3OB"}}}}