292 KB34 KB201520252021Bulandrová, AmálieChrtková, AnnaDudková, Andreaštevilka:1letnik:9str. 182-200DOI:10.51937/Amfiteater-2021-1/182-200ISSN:1855-4539COBISSID_HOST:68530947URN:URN:NBN:SI:doc-C6PXAN0PenAkademija za gledališče, radio, film in televizijoDruštvo gledaliških kritikov in teatrologov SlovenijeSlovenski gledališki inštitutAmfiteater (Ljubljana)Czechnessčeškostexperienceizkušnjajavna storitevparticipacijaparticipationpotovalna agencijaPragaPraguepublic servicescenografijascenographytravel agencyPrague is not Czech| artistic project as a public service|The presented text focuses on the particular artistic practice employed during the realisation of the project Prague is not Czech, which was established as a collective exhibition within the Prague Quadrennial of Performance Design and Space 2019 (henceforth PQ). The authors of this project, who are gathered within the team Intelektrurálně, decided to carry on with the Prague is not Czech travel agency and to transform it into a systematic socioartistic research, which uses selected strategies of non-Prague reality as a ready-made and fills them with its own content. Since its very beginning, the project has been based on a concept of radical cooperation. Therefore, a collaborative approach towards creation represents the primary subject that is being reflected within this text (and which is itself a product of the cooperation of several people). Thus, the gist of the presented paper is to introduce initial artistic approaches and fundamental strategies of the project. The following text, therefore, consists of a manifesto written by the initiators of the project and broader theoretical reflection. In the first section, entitled What we do, the authors describe the various forms of the presented project, conditions of its creation and its development. The text is then divided into four parts - according to the project's essential aspects: Czechness, Participation, Scenography and ExperiencePričujoče besedilo se osredotoča na specifično umetniško prakso, ki smo jo uporabili pri izvedbi projekta Praga ni Češka, ki smo ga zasnovali kot kolektivno razstavo v okviru Praškega kvadrienala scenskega oblikovanja in prostora 2019 (v nadaljevanju: PK). Avtorice projekta, ki so se povezale v ekipo Intelektrurálně, so se odločile projekt nadaljevati s potovalno agencijo Praga ni Češka in ga razviti v sistematično družbeno-umetniško raziskavo, ki izbrane strategije nepraške resničnosti uporablja kot ready-made in jih napolni z lastnimi vsebinami. Že od samega začetka projekt temelji na konceptu radikalnega sodelovanja, tako da participativni pristop k ustvarjanju predstavlja primarno temo, kar se odraža tudi v tem besedilu (ki je tudi samo plod sodelovanja več ljudi). Glavni namen pričujočega članka je predstaviti izhodiščne umetniške pristope in temeljne strategije projekta. Besedilo, ki sledi, zato obsega manifest, ki sta ga spisali pobudnici projekta. Razdeljen je na štiri dele glede na bistvene vidike samega projekta, temu pa sledi širša teoretska refleksija. V prvem razdelku z naslovom "Kaj delamo" avtorice opisujejo različne oblike predstavljenega projekta in okoliščine njegovega nastanka ter razvijanja. Nadaljnje besedilo se deli na štiri dele - glede na poglavitne vidike projekta: "Češkost", "Participacija", "Scenografija" in "Izkušnja"TEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlovenski gledališki inštitut (SLOGI)