<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-BX39JCQ4/2317daef-d771-4799-a8b5-19f11926d6a3/HTML"><dcterms:extent>54 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-BX39JCQ4/0c7c8a2a-5a16-4d5c-b8ba-88372d3264b7/PDF"><dcterms:extent>536 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-BX39JCQ4/7f37cd90-6ced-4ec0-b4bb-7d3d7c7677da/TEXT"><dcterms:extent>53 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1978-2025"><edm:begin xml:lang="en">1978</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-BX39JCQ4"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-EVBFLKN7" /><dcterms:issued>2009</dcterms:issued><dc:creator>Vrečko, Janez</dc:creator><dc:format xml:lang="sl">številka:1</dc:format><dc:format xml:lang="sl">19 strani</dc:format><dc:format xml:lang="sl">letnik:32</dc:format><dc:format xml:lang="sl">str. 67-85</dc:format><dc:identifier>ISSN:0351-1189</dc:identifier><dc:identifier>COBISSID:39686242</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-BX39JCQ4</dc:identifier><dc:language>sl</dc:language><dc:publisher xml:lang="sl">Slovensko društvo za primerjalno književnost</dc:publisher><dcterms:isPartOf xml:lang="sl">Primerjalna književnost</dcterms:isPartOf><dc:subject xml:lang="en">constructivism</dc:subject><dc:subject xml:lang="sl">El Lisicki, 1890-1941</dc:subject><dc:subject xml:lang="sl">konstruktivizem</dc:subject><dc:subject xml:lang="sl">Kosovel, Srečko, 1904-1926</dc:subject><dc:subject xml:lang="sl">literarna avantgarda</dc:subject><dc:subject xml:lang="sl">ruska umetnost</dc:subject><dc:subject xml:lang="sl">slovenska poezija</dc:subject><dc:subject xml:lang="sl">Tatlin, Vladimir Evgrafovič, 1885-1953</dc:subject><dc:subject rdf:resource="http://www.wikidata.org/entity/Q207103" /><dcterms:temporal rdf:resource="1978-2025" /><dc:title xml:lang="sl">Tatlin, El Lisicki in Kosovel|</dc:title><dc:description xml:lang="sl">This paper begins by analyzing the concept and term cons and connecting it with the typical Soviet practice of shortening words (loks, veshch´), which was also adopted by some European avantgardists (merz, mont). In his manifesto Mehanikom (To the mechanics), Kosovel takes issue not only with Marinetti's "mechanical human being", but also with Tatlin's ideologically defined "human machine", as Tatlin's art was misunderstood by the Berlin Dadaists. Following El Lisicki's example, Kosovel introduces emptiness, which changes into a plano-convex and plano-concave space, in which there is no more perspective and gravitation. The use of engineering sketches, geometric material, and spatial definitions of conses effectively combined the content and form into a new organic unit, which confirms that Kosovel was familiar with Russian and European constructivism</dc:description><dc:description xml:lang="sl">Razprava najprej analizira pojem in oznako kons in jo poveže z značilnim sovjetskim krajšanjem besed (loks, vešč), ki so ga prevzeli tudi nekateri evropski avantgardisti (merz, mont). V manifestu Mehanikom Kosovel ne polemizira le z Marinettijevim "mehaničnim človekom", ampak tudi z ideološko opredeljenim Tatlinovim "človekom-strojem", kot so Tatlinovo umetnost napačno razumeli berlinski dadaisti. Kosovel je sledeč Elu Lisickemu v konsih uveljavil praznino, ki se spreminja v plankonveksni in plankonkavni prostor, v črke v prostoru, kjer ni več ne perspektive ne gravitacije. Uporaba inženirskih skic, geometrijskega materiala in prostorske opredeljenosti konsov je vsebino in obliko učinkovito združevala v novo organično celoto, kar potrjuje, da je Kosovel poznal ruski in evropski konstruktivizem</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-BX39JCQ4"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-BX39JCQ4" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-BX39JCQ4/0c7c8a2a-5a16-4d5c-b8ba-88372d3264b7/PDF" /><edm:rights rdf:resource="http://rightsstatements.org/vocab/InC/1.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Slovensko društvo za primerjalno književnost</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-BX39JCQ4/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-BX39JCQ4" /></ore:Aggregation></rdf:RDF>