654 KB35 KB200520252009Koter, Darjaštevilka:2letnik:5str. 55-67ISSN:1854-3405COBISSID:31047725URN:URN:NBN:SI:doc-BWMM29JPenMuzikološki inštitut ZRC SAZUDe musica disserendaart of paintingglasbaglasbena ikonografijaHenrici, Johann Josef Karl, 1737-1823La Chappelle, George de, 17.st.musicorientalska motivikaslikarstvoturkerijeMusical symbols in the turqueries in Slovenia| oriental artworks between reality and imagination|The article discusses turqueries with musical symbols from the 17th and 18th century, preserved in Slovenia. The interpretation of artworks, such as Turkish dancer from Pokrajinski muzej Ptuj (Ptuj Regional Museum), the work of an unknown Styrian painter around 1682, and the two paintings by Johann Josef Karl Henrici Concert at the Oriental Court and Lute Concert, from around 1786, preserved in the Akademija za glasbo in Ljubljana (Academy of Music in Ljubljana), is based on current research pertaining to the history of art. Furthermore, the article provides some reflections on musical symbols, particularly on questions relating to the realistic depiction of musical instruments in accordance with historical musical practicePrispevek obravnava likovna dela z orientalsko in glasbeno motiviko iz 17. in 18. stoletja, ohranjena na območju Slovenije. Na temeljih najnovejših raziskav umetnostnozgodovinske stroke avtorica reinterpretira slike Turška plesalka neznanega štajerskega mojstra, nastala okrog 1682, iz serije turkerij v Pokrajinskem muzeju Ptuj ter dve sliki iz Akademije za glasbo v Ljubljani, deli Johanna Josefa Karla Henricia, Koncert na orientalskem dvoru in Koncert z lutnjo, nastali okrog 1786. Ob tem skuša odgovoriti na vprašanja o realnosti upodabljanja instrumentarija na turkerijah v kontekstu historičnega razvoja glasbene prakseTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaZRC SAZU