<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-BWMM29JP</identifier><date>2009</date><creator>Koter, Darja</creator><relation>documents/doc/B/URN_NBN_SI_doc-BWMM29JP_001.pdf</relation><relation>documents/doc/B/URN_NBN_SI_doc-BWMM29JP_001.txt</relation><format format_type="issue">2</format><format format_type="volume">5</format><format format_type="type">article</format><format format_type="extent">str. 55-67</format><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID">31047725</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-BWMM29JP</identifier><language>eng</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>InC</rights><subject language_type_id="eng">art of painting</subject><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">glasbena ikonografija</subject><subject language_type_id="slv">Henrici, Johann Josef Karl, 1737-1823</subject><subject language_type_id="slv">La Chappelle, George de, 17.st.</subject><subject language_type_id="eng">music</subject><subject language_type_id="slv">orientalska motivika</subject><subject language_type_id="slv">slikarstvo</subject><subject language_type_id="slv">turkerije</subject><title>Musical symbols in the turqueries in Slovenia</title><title>oriental artworks between reality and imagination</title></Record>