135 KB29 KB200720252015Pregelj, Barbaraštevilka:1letnik:9str. 192-203ISSN:1854-9632ISSN:2350-4218URN:URN:NBN:SI:doc-BJWYQZNResZnanstvena založba Filozofske fakulteteArs et humanitasCankar, IvanHrastelj, StankakanonLepa Vidaljudski motivimitimythologyPrešeren, FranceRozman, AndrejSlovene literatureslovenska književnostsubverzijaCruce de miradas sobre Lepa Vida (Hermosa Vida)|"Lepa Vida" (Fair Vida) is one of the most common motifs in Slovenian literature. The motif is from a folk song with many variants which in the course of time, and with each new author's view, assumed further layers. So far there have been 43 literary variations on the Fair Vida motif recorded since 1932, as well as many instances of arrangements for children and youth. In this paper I present the main characteristics of the motif in folk literature, in France Prešeren ("Od Lepe Vide"; "Of the Fair Vida"), and in Andrej Rozman Roza Lepa Vida v akciji (Fair Vida in Action), that is, the source/original, the canonical, and the subversive. I initially present the findings about the origins of the motif, the sociological-historical background against which it came into being, as well as comparative elements of intercultural and chronotope views and the image of the Other. In the light of comparisons with other Slovenian myths (especially King Matjaž, Martin Krpan, and Peter Klepec) I present the (often rather restrictive) view of literary criticism which frequently reduces the Fair Vida motif to the motif of longing, one of the most common motifs in Slovenian literature. I contrast this with more modern interpretative views that take into account both feminist theory and analysis of the discourse of power as it derives from the repeated (subversive, parodic) reading of the motif which Andrej Rozman Roza presents in Lepa Vida v akcijiLepa Vida je eden najpogostejših motivov v slovenski književnosti. Gre za ljudsko pesem z več variantami, ki se je v teku časa in z vsakim novim avtorskim pogledom še bolj razplastila. Doslej je bilo po letu 1932 evidentiranih 43 literarnih predelav motiva Lepe Vide ter več poskusov njegove priredbe za otroke in mladino. Avtorica v prispevku predstavi najpoglavitnejše značilnosti motiva v ljudskem slovstvu, pri Francetu Prešernu (Od Lepe Vide) in Andreju Rozmanu Rozi (Lepa Vida v akciji), torej izvorno/izvorne, kanonsko in subverzivno. Tako uvodoma predstavi ugotovitve o izvoru motiva, sociološko-zgodovinskem ozadju, v katerem je nastal, primerjalno pa tudi elemente medkulturnosti, kronotop pogleda in podobo Drugega. V luči primerjave z drugimi slovenskimi miti (predvsem Kraljem Matjažem, Martinom Krpanom, Petrom Klepcem) predstavi (pogosto precej omejujoč) pogled literarne vede, ki je motiv Lepe Vide pogosto reducirala na motiv hrepenenja, enega najpogostejših motivov slovenske književnosti. Kontrastira ga s sodobnejšimi interpretativnimi pogledi, ki upoštevajo tako feministične teorije kot analizo diskurza moči, izhajajo pa iz ponovnega (subverzivnega, parodičnega) branja motiva, ki ga je v Lepi Vidi v akciji predstavil Andrej Rozman RozaTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaZnanstvena založba Filozofske fakultete