<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-BHQIJGJJ/f137ed74-d1ef-4065-95d6-b2f234d556a3/HTML"><dcterms:extent>50 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-BHQIJGJJ/b08039e1-fcf4-41fc-b79d-5e47a22896f7/PDF"><dcterms:extent>449 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-BHQIJGJJ/e9d3f08d-9fcf-4131-a65a-fefb99a299f2/TEXT"><dcterms:extent>48 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1948-2025"><edm:begin xml:lang="en">1948</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-BHQIJGJJ"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-QOIKGUTE" /><dcterms:issued>2011</dcterms:issued><dc:creator>Toporišič, Tomaž</dc:creator><dc:format xml:lang="sl">številka:4</dc:format><dc:format xml:lang="sl">letnik:59</dc:format><dc:format xml:lang="sl">str. 357-372</dc:format><dc:identifier>ISSN:0350-6894</dc:identifier><dc:identifier>COBISSID:3276379</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-BHQIJGJJ</dc:identifier><dc:language>sl</dc:language><dc:publisher xml:lang="sl">Slavistično društvo Slovenije</dc:publisher><dcterms:isPartOf xml:lang="sl">Slavistična revija</dcterms:isPartOf><dc:subject xml:lang="en">absurd drama</dc:subject><dc:subject xml:lang="sl">absurdna dramatika</dc:subject><dc:subject xml:lang="sl">Božič, Peter, 1935-2004</dc:subject><dc:subject xml:lang="sl">drama absurda</dc:subject><dc:subject xml:lang="sl">Jesih, Milan, 1950-</dc:subject><dc:subject xml:lang="sl">Jovanović, Dušan, 1939-</dc:subject><dc:subject xml:lang="en">performance</dc:subject><dc:subject xml:lang="sl">performans</dc:subject><dc:subject xml:lang="en">performative</dc:subject><dc:subject xml:lang="en">performative culture</dc:subject><dc:subject xml:lang="sl">performativna kultura</dc:subject><dc:subject xml:lang="en">Slovene drama</dc:subject><dc:subject xml:lang="en">Slovene literature</dc:subject><dc:subject xml:lang="en">Slovene theatre</dc:subject><dc:subject xml:lang="sl">slovenska dramatika</dc:subject><dc:subject xml:lang="sl">slovenska književnost</dc:subject><dc:subject xml:lang="sl">Šeligo, Rudi, 1932-2009</dc:subject><dc:subject xml:lang="en">Theatre of the Absurd</dc:subject><dcterms:temporal rdf:resource="1948-2025" /><dc:title xml:lang="sl">Performativna dimenzija v slovenski sodobni drami Božič - Jesih - Jovanović - Šeligo|</dc:title><dc:description xml:lang="sl">Various attempts to historicize contemporary Slovene drama have doubtlessly neglected one of the important features of the Slovene absurd drama, i.e., its significance in the deconstruction of the so-called literary or drama theatre and in the manifestation of the performative turn (Fischer-Lichte) at the turn of the 1970s. Using the analysis of poetics of Peter Božič, Dušan Jovanovič, Milan Jesih, and Rudi Šeligo, the present study attempts to illustrate this seemingly paradoxical characteristic of the Slovene drama ob absurdity and absurd drama, which led to one of the gratest aesthetic revolutions (Ranciere) in Slovene art and culture after World War II._</dc:description><dc:description xml:lang="sl">V raznolikih poskusih zgodovinjenja slovenske sodobne drame nesporno ostaja ob strani ena izmed pomembnih lastnosti slvoenske absurdne drame, namreč njenpomen pri dekonstrukciji t. i. literarnega oziroma dramskega gledališča ter udejanjitvi performativnega obrata (Fischer-Lichte) na prelomu iz šestdesetih v sedemdeseta leta prejšnjega stoletja. Pričujoča razprava s pomočjo analize lastnosti poetik Petra Božiča, Dušana Jovanovića, Milana Jesiha in Rudija Šelige skuša prikazati prav to na videz paradoksalno lastnost slovenske drame absurda in absurdne drame, ki je privedla do ene največjih estetskih revolucij (Ranciere) v slovenski umetnosti in kulturi po drugi svetovni vojni</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-BHQIJGJJ"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-BHQIJGJJ" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-BHQIJGJJ/b08039e1-fcf4-41fc-b79d-5e47a22896f7/PDF" /><edm:rights rdf:resource="http://creativecommons.org/licenses/by/4.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Slavistično društvo Slovenije</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-BHQIJGJJ/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-BHQIJGJJ" /></ore:Aggregation></rdf:RDF>