<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-BA9KSZ93</identifier><date>2020</date><creator>Panova-Tekath, Gergana</creator><relation>documents/doc/B/URN_NBN_SI_doc-BA9KSZ93_001.pdf</relation><relation>documents/doc/B/URN_NBN_SI_doc-BA9KSZ93_001.txt</relation><format format_type="issue">2</format><format format_type="volume">49</format><format format_type="type">article</format><format format_type="extent">str. 65-84</format><identifier identifier_type="ISSN">0352-0447</identifier><identifier identifier_type="DOI">10.3986/Traditio2020490204</identifier><identifier identifier_type="COBISSID_HOST">47649027</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-BA9KSZ93</identifier><language>eng</language><publisher>Slovenska akademija znanosti in umetnosti</publisher><source>Traditiones (Ljubljana)</source><rights>BY-NC-ND</rights><subject language_type_id="slv">Bolgaria</subject><subject language_type_id="eng">Bulgaria</subject><subject language_type_id="eng">cultural relations</subject><subject language_type_id="eng">folk dancing</subject><subject language_type_id="slv">kulturni odnosi</subject><subject language_type_id="slv">ljudski plesi</subject><subject language_type_id="slv">nacionalizem</subject><subject language_type_id="eng">nationalism</subject><title>Four times "contra"</title><title>the Soviet, American, democratic, and emigrant models of dancing the Bulgarian way</title></Record>