566 KB36 KB200720252017Rodríguez Díaz del Real, Alejandroštevilka:letn. 11str. 232-244letnik:št. 2ISSN:1854-9632COBISSID:66023010URN:URN:NBN:SI:doc-B2I9K5TBesZnanstvena založba Filozofske fakulteteArs et humanitasbarokCruz, Sor Juana Ines de laindigenizemlatinskoameriške književnostiNúnez Cabeza de Vaca, AlvarEl conquistador conquistado Álvar Núnez Cabeza de Vaca y la conquistada conquistadora Sor Juana Inés de la Cruz| análisis de dos identidades divergentes a partir de dos breves obras|Starting from two recent critical publications against the fatalism of the traditional discourse of the (anti-Spanish) Black Legend, which do not pretend to be revisionist but instead point out certain positive aspects to the conquest of the Americas, the article contrasts two works that illustrate the permeability of two minds who wanted to open up to diversity: Álvar Núnez Cabeza de Vaca with his Shipwrecks (Naufragios) on the one hand, and Sor Juana Inés de la Cruz with his Allegorical Neptune (Neptuno alegórico) on the other. Only half a century after the discovery of America, and in the exact year of the New Laws of Charles V, which reflect the spirit of Las Casas critics and a defence of the Indian that later landed in the anti-Spanish Black Legend, Cabeza de Vaca presents a case of self-discovery as a fascinated conqueror who ends up conquered by the very environment that he is supposed to dominate; by a world that is too different and mysterious not to arouse his curiosity. The article contrasts this adventure of empathy and knowledge towards the other with an original work by Sor Juana Inés de la Cruz, Neptuno alegórico (1680), which represents another kind of journey, more a literary than autobiographical one, of the American world towards a Baroque or European "otherness". In spite of the considerable time that separates each case, and of the logical and predictable divergences in terms of literary genre, both works are united by a willingness to be carried away by cultural spheres and aesthetic guidelines that are far from the known world, doing what today we would call "leaving one's comfort zone", but achieving an enrichment of the authors- own lived and creative experience, as well as the literary horizon of the readerNa podlagi dveh nedavnih publikacij, ki sta kritični do tradicionalnega in fatalističnega obravnavanja "Leyende negre" (črne Legende o zgodovinski vlogi Španije) in ki želita osvetliti pozitivne vidike osvajanja Amerike, članek primerja deli, ki prikazujeta odprtost do raznolikosti. Alvar Núnez Cabeza de Vaca v delu"Brodolomi" (Naufragios) le pol stoletja po odkritju Amerike opisuje prepoznanje sebe kot osvajalca, ki pa ga hkrati očara in osvaja ta drugačen in skrivnosten svet, ki mu neprestano vzbuja radovednost. Delo je nastalo v obdobju novih zakonov Karla V., ki odražajo Las Casasov kritični duh in zagovarjanje pravic Indijancev s pretiranim opisom grozodejstev, kar kasneje botruje razvoju tako imenovane protišpanske črne Legende. Članek primerja doživljanje sočutja in spoznavanja drugačnega z izvirnim delom Sor Juane Ines de la Cruz, "Alegorični Neptun" (Neptuno alegórico, 1680), v katerem je prav tako prisotno potovanje, čeprav je bolj literarno kot avtobiografsko, in sicer od ameriškosti do drugačnosti baroka oziroma "evropskosti". Kljub dolgemu časovnemu intervalu med obema analiziranima deloma, ki se tudi žanrsko razlikujeta, študija pri obeh zazna sprejemanje različnih kultur in neznanih estetskih smernic - temu bi danes rekli "opustitev cone udobja" -, s čimer se bogati tako avtorjevo lastno doživetje in ustvarjalnost kot bralčevo literarno obzorjeTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaZnanstvena založba Filozofske fakultete