<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-B0MGOATJ</identifier><date>2006</date><creator>Komelj, Miklavž</creator><relation>documents/doc/B/URN_NBN_SI_doc-B0MGOATJ_001.pdf</relation><relation>documents/doc/B/URN_NBN_SI_doc-B0MGOATJ_001.txt</relation><format format_type="volume">43</format><format format_type="type">article</format><format format_type="extent">str. 16-17</format><identifier identifier_type="ISSN">0013-3302</identifier><identifier identifier_type="COBISSID">25354285</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-B0MGOATJ</identifier><language>slv</language><publisher publisher_location="Ljubljana">Slovenska kinoteka</publisher><source>Ekran (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">filmske kritike</subject><subject language_type_id="slv">japonski film</subject><subject language_type_id="slv">ocene in poročila</subject><subject language_type_id="slv">Sharasojyu</subject><title>Film kot oprijemanje videnega na robu izginotja</title></Record>