6871 KB0 KB201320252021Vidmar, Polonaštevilka:1letnik:26str. 81-111, 192ISSN:1408-0419COBISSID_HOST:49174787URN:URN:NBN:SI:doc-ATXYGV14deZnanstvenoraziskovalni center Slovenske akademije znanosti in umetnosti, Umetnostnozgodovinski inštitut Franceta SteletaActa historiae artis Slovenicabaročno slikarstvobaroque paintingCount of Leslie, Jakobgrof Leslie, JakobHabsburg (rodbina)knez Dietrichstein, Franc JožefnaročništvopatronageportraitsportretiPrince of Dietrichstein, Franz JoseephPtuj Castleptujski gradReisp, Ferdinandtransfer of atrworktransfer umetninVorfahr oder König?| zur Rezeption der Porträts des 17. Jahrhunderts unter Franz Josef Fürst Dietrichstein (1767-1854)|The article seeks to shed light on Franz Joseph, Prince of Dietrichstein's interest in the history of his own family, which was reflected among other things in his purchase of the original Dietrichstein family seat in Carinthia in 1838. Franz Joseph's search for the traces of his ancestors in Carinthia and Styria as well as his purchases of objects are analysed based on the prince's not yet published correspondence with the clerks of the seigneuries of Dietrichstein and Gornji Ptuj, which his family inherited from the Counts of Leslie. The article discusses the prince's aspirations to use the inherited, purchased, and commissioned portraits to emphasise the significance of his family and ancestors. As a representative example of the reception of portraits, a series of 14 portraits of European rulers, which Jakob Count of Leslie commissioned for the furnishing of the hall of Ptuj castle between 1669 and 1673 was chosen. Since 1835, seven of the 'sitters' had been recognized in the inventories of the Gornji Ptuj castle as members of the Leslie family, despite the presence of unambiguous props in the paintings, such as crowns, royal orbs and sceptres, and coronation cloaks. The individuals depicted were more accurately identified by the director of the princely gallery Franz Kutschera in 1857, shortly before they were taken to Vienna in 1860, and from there to Frýdlant castle in Bohemia. The paper also highlights the significance of the princely clerks, especially Moritz Seehann and Ferdinand Raisp, for the burgeoning interest in historical and artistic monuments in Ptuj in the 19th centuryPrispevek osvetljuje zanimanje Franca Jožefa kneza Dietrichsteina za zgodovino njegove rodbine, ki se je med drugim odrazilo v nakupu izvornega rodbinskega sedeža Dietrichstein na Koroškem leta 1838. Na podlagi še neobjavljene knezove korespondence z uradniki gospostev Dietrichstein in Gornji Ptuj, ki ju je rodbina podedovala po grofih Lesliejih, je analizirano njegovo iskanje sledi za predniki na Koroškem in Štajerskem, prikazani pa so tudi nakupi predmetov. Predstavljene so knezove težnje, da bi s podedovanimi, kupljenimi in naročenimi portreti poudaril pomen svoje rodbine in prednikov. Kot vzorčni primer recepcije portretov je izbrana serija štirinajstih portretov evropskih vladarjev, ki jo je Jakob grof Leslie v letih od 1669 do 1673 naročil za opremo dvorane ptujskega gradu. V inventarjih gradu Gornji Ptuj so od leta 1835 sedem portretirancev in portretirank kljub nedvoumnim rekvizitom, kot so krone, vladarska jabolka in žezla ter kronanjski plašči, prepoznavali kot člane in članice rodbine Leslie. Upodobljence je ustrezneje identificiral direktor knežje galerije Franz Kutschera leta 1857, tik preden so jih leta 1860 odpeljali na Dunaj in od tam v grad Frýdlant na Češkem. Prispevek osvetljuje tudi pomen knežjih uradnikov, zlasti Moritza Seehanna in Ferdinanda Raispa, za razcvet zanimanja za zgodovino in umetnostne spomenike na Ptuju v 19. stoletjuTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaZRC SAZU, Umetnostnozgodovinski inštitut Franceta Steleta