<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-ARJWLSCW/1742b5de-de40-40cd-b668-189399b7a587/PDF"><dcterms:extent>1356 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-ARJWLSCW/35a72432-4c69-41bb-ab36-b9273d744ebc/TEXT"><dcterms:extent>0 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1965-2025"><edm:begin xml:lang="en">1965</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-ARJWLSCW"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-ETPSIC7M" /><dcterms:issued>2021</dcterms:issued><dc:creator>Uršič, Matjaž</dc:creator><dc:format xml:lang="sl">številka:3</dc:format><dc:format xml:lang="sl">letnik:58</dc:format><dc:format xml:lang="sl">str. 762-784, 927</dc:format><dc:identifier>ISSN:0040-3598</dc:identifier><dc:identifier>DOI:10.51936/tip.58.3.762-784</dc:identifier><dc:identifier>COBISSID_HOST:83883779</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-ARJWLSCW</dc:identifier><dc:language>sl</dc:language><dc:publisher xml:lang="sl">Visoka šola za politične vede</dc:publisher><dcterms:isPartOf xml:lang="sl">Teorija in praksa</dcterms:isPartOf><dc:subject xml:lang="sl">Covid-19</dc:subject><dc:subject xml:lang="sl">Delo na domu</dc:subject><dc:subject xml:lang="sl">Epidemics</dc:subject><dc:subject xml:lang="sl">Epidemije</dc:subject><dc:subject xml:lang="sl">fleksibilizacija</dc:subject><dc:subject xml:lang="sl">Home labor</dc:subject><dc:subject xml:lang="sl">kreativne industrije</dc:subject><dc:subject xml:lang="sl">kreativni delavec</dc:subject><dc:subject xml:lang="sl">prekarizacija</dc:subject><dcterms:temporal rdf:resource="1965-2025" /><dc:title xml:lang="sl">Pandemija Covida-19 kot nadaljevanje procesov fleksibilizacije in prekarizacije delovnih razmer za kreativne poklice v Sloveniji|</dc:title><dc:description xml:lang="sl">The analysis of creative activities often reveals problematic observations with regard to the work processes of creative employees. From this point of view, creative workers are perceived as being very flexible in terms of payment, workplace and type of work. Such characteristics mean creative professions are not classified as a traditional or economically and socially more stable form of employment. We may thus assume that creative workers have been among the worst affected by the Covid-19 pandemic. Using data from the longitudinal research "Slovenian cultural and creative worker in the Covid-19 period" (2020), the article first analyses the pandemic's effects on the wider creative sector and, second, identifies elements of change in the work process and living conditions of creative workers that have led to the precarisation of specific individual creative subsectors like visual, performing arts or music. The findings show in most segments of creative professions the pandemic has added to the existing forms of precarisation</dc:description><dc:description xml:lang="sl">Ob analizah kreativnih dejavnosti se pogosto pojavljajo problematična opažanja delovnih procesov zaposlenih v teh poklicih. Kreativni delavci so s tega vidika dojeti kot zelo prilagodljivi glede na način, kraj in plačilo dela. Zaradi tovrstnih značilnosti, ki jih ne uvrščajo med tradicionalne, tj. gospodarsko in socialno bolj stabilne oblike zaposlitve, lahko predvidevamo, da so bili kreativni delavci med najbolj prizadetimi zaradi pandemije Covida-19. Članek na podlagi podatkov iz longitudinalne raziskave "Slovenski kulturno-kreativni delavec v času Covida-19" (2020) najprej analizira vplive pandemije na širši kreativni sektor, nato pa prek analize sprememb v delovnem procesu in življenjskih razmerah kreativnih delavcev identificira elemente prekarizacije po posameznih podsektorjih, kot so na primer vizualne, uprizoritvene umetnosti ali glasba. Pri tem ugotavlja, da pandemija v večini segmentov kreativnih poklicev nadgrajuje obstoječe oblike prekarizacije</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-ARJWLSCW"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-ARJWLSCW" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-ARJWLSCW/1742b5de-de40-40cd-b668-189399b7a587/PDF" /><edm:rights rdf:resource="http://rightsstatements.org/vocab/InC/1.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Univerza v Ljubljani, Fakulteta za družbene vede</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-ARJWLSCW/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-ARJWLSCW" /></ore:Aggregation></rdf:RDF>