<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-AJMOSYKW</identifier><date>2020</date><relation>documents/doc/A/URN_NBN_SI_doc-AJMOSYKW_001.pdf</relation><relation>documents/doc/A/URN_NBN_SI_doc-AJMOSYKW_001.txt</relation><format format_type="type">article</format><format format_type="issue">letn. 57</format><format format_type="extent">str. 16-20</format><identifier identifier_type="ISSN">0013-3302</identifier><identifier identifier_type="COBISSID">125036035</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-AJMOSYKW</identifier><language>slv</language><publisher publisher_location="Ljubljana">Slovenska kinoteka</publisher><source>Ekran (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">biografije</subject><subject language_type_id="slv">filmska glasba</subject><subject language_type_id="slv">intervjuji</subject><subject language_type_id="slv">slovenski skladatelji</subject><subject language_type_id="slv">Strniša, Matija</subject><title>"Velik del filmske glasbe deluje na osnovnih človeških emocijah"</title><title>intervju z Matijo Strniša</title></Record>