<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-AFZU5G58</identifier><date>1999</date><creator>Zorn, Jelka</creator><relation>documents/doc/A/URN_NBN_SI_doc-AFZU5G58_001.pdf</relation><relation>documents/doc/A/URN_NBN_SI_doc-AFZU5G58_001.txt</relation><format format_type="issue">197</format><format format_type="volume">27</format><format format_type="type">article</format><format format_type="extent">str. 175-185</format><identifier identifier_type="ISSN">0351-4285</identifier><identifier identifier_type="COBISSID">3486793</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-AFZU5G58</identifier><language>slv</language><publisher>Študentska založba</publisher><source>Časopis za kritiko znanosti</source><rights>InC</rights><subject language_type_id="slv">ameriški film</subject><subject language_type_id="eng">feminism</subject><subject language_type_id="slv">feminizem</subject><subject language_type_id="eng">film</subject><subject language_type_id="slv">spol</subject><subject language_type_id="slv">spolna identiteta</subject><subject language_type_id="slv">študije</subject><title>Subverzivnost spolne identitete v hollywoodski produkciji</title></Record>