<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-ADNAMJRH</identifier><date>2014</date><creator>Paić, Žarko</creator><relation>documents/doc/A/URN_NBN_SI_doc-ADNAMJRH_001.pdf</relation><relation>documents/doc/A/URN_NBN_SI_doc-ADNAMJRH_001.txt</relation><format format_type="volume">23</format><format format_type="issue">88/89</format><format format_type="type">article</format><format format_type="extent">str. 217-235</format><identifier identifier_type="ISSN">1318-3362</identifier><identifier identifier_type="ISSN">2232-6650</identifier><identifier identifier_type="COBISSID">513309314</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-ADNAMJRH</identifier><language>eng</language><publisher>Nova revija</publisher><source>Phainomena (Ljubljana)</source><rights>InC</rights><subject language_type_id="eng">contemporary art</subject><subject language_type_id="slv">sodobna umetnost</subject><subject language_type_id="slv">teorija umetnosti</subject><subject language_type_id="eng">theory of art</subject><title>(post-history and the discomforts of periodisation)</title><title>lines and curves</title><title>Theory of contemporary art</title></Record>