<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-A96AJTA9</identifier><date>2019</date><creator>Milosavljević, Ljubica</creator><relation>documents/doc/A/URN_NBN_SI_doc-A96AJTA9_001.pdf</relation><relation>documents/doc/A/URN_NBN_SI_doc-A96AJTA9_001.txt</relation><format format_type="issue">3</format><format format_type="volume">48</format><format format_type="type">article</format><format format_type="extent">str. 21-41</format><identifier identifier_type="ISSN">0352-0447</identifier><identifier identifier_type="DOI">10.3986/Traditio2019480302</identifier><identifier identifier_type="COBISSID">45934125</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-A96AJTA9</identifier><language>eng</language><publisher>Slovenska akademija znanosti in umetnosti</publisher><source>Traditiones (Ljubljana)</source><rights>BY-NC-ND</rights><subject language_type_id="slv">glasbeni žanri</subject><subject language_type_id="slv">glasbeniki</subject><subject language_type_id="slv">jazz</subject><subject language_type_id="slv">Srbija</subject><subject language_type_id="slv">terenske raziskave</subject><title>an anthropological analysis of compromises as jazz musicians' strategy of action</title><title>On the other side of the genre boundary</title></Record>